Major record companies like Sony’s Legacy, UMI, and Warner’s Rhino have all produced great box sets, but nobody can match the ones from Germany’s Bear Family label, which has been turning out meticulously researched, beautifully packaged, anVault archaeology doesn’t get any better than this. Offering 472 tracks on 16 discs, plus a massive hardcover book stuffed with fascinating details, R&B in D.C. (1940-1960) delivers what its title promises, documenting so many roots and branches of the musical scene in the nation’s capital that it’s easy to feel overwhelmed by this massive, beautifully executed project. But don’t be intimidated. Dive in anywhere to discover exciting performers, from a handful of stars to scads of lesser-knowns, and note the surprisingly good sound, despite many songs being dubbed from disc in the absence of master tapes.d mindbogglingly comprehensive anthologies for nearly half a century.
The latest, R&B in DC: 1940–1960, is a case in point. Featuring 472 songs on 16 CDs, this numbered, limited-edition box brilliantly evokes the rhythm and blues scene in Washington, D.C., over two decades. It comes with a 352-page, LP-sized hardcover book that contains well-informed essays about the music, the artists, the record labels, the radio stations, and the clubs as well as notes about every song, a bibliography, a ton of rare period photos, and more.
Compiling the material for the coffee-table book reportedly took about seven years, and one can only imagine what must have been required to track down, license, and restore all this old music, much of which was rescued from extremely rare 78 and 45 rpm records. The list of acknowledgments to researchers, DJs, collectors, record dealers, and others is understandably long.
The latest, R&B in DC: 1940–1960, is a case in point. Featuring 472 songs on 16 CDs, this numbered, limited-edition box brilliantly evokes the rhythm and blues scene in Washington, D.C., over two decades. It comes with a 352-page, LP-sized hardcover book that contains well-informed essays about the music, the artists, the record labels, the radio stations, and the clubs as well as notes about every song, a bibliography, a ton of rare period photos, and more.
Compiling the material for the coffee-table book reportedly took about seven years, and one can only imagine what must have been required to track down, license, and restore all this old music, much of which was rescued from extremely rare 78 and 45 rpm records. The list of acknowledgments to researchers, DJs, collectors, record dealers, and others is understandably long.
Various - History R&B in DC 1940-1960 - Rhythm & Blues, Doo Wop, Rockin’ Rhythm and more… The Washington Post
When we listen to a recording of an old song — say, the D.C. nightclub semi-fixture Eva Foster singing “You’ll Never Know” roughly 68 years ago — something excellent happens: the air that surrounds us shakes the same way it shook in 1953. Is there anything else like it? Old music might plunge our imaginations into the past, but more tangibly, it changes the physical reality directly outside of our heads. Listening to an old song isn’t a revisitation. It’s a material reenactment. Then happens now.
A sweeping and scrupulous new boxed-set, “R&B in DC 1940-60,” does this little trick 472 times. Compiled and produced by music historian, DJ and record collector Jay Bruder, and released by the German label Bear Family Records, the set features more than 20 hours of blues, doo-wop, jazz, classic R&B, proto-rock-and-roll and other hybrid styles of Black dance music made in Washington decades ago, conjuring the sound of a largely vanished city in startling detail.
The “R&B in DC 1940-1960” box set features more than 20 hours of tunes. (Bear Family Records)
How startling? “Beyond painstaking” probably sells Bruder short. The 352-page coffee table tome anchoring this set examines the scene on a granular level, with Bruder chasing down every scrap of lore until the trail fades into the mist of unknowability. Having scoured old newspaper clips, copyright records, studio and label paperwork, Yellow Pages advertisements and more, he maps out a teeming network of high schools, churches, nightclubs, recording studios, record labels, radio stations and television programs that made this scene pulse for two decades.
When we listen to a recording of an old song — say, the D.C. nightclub semi-fixture Eva Foster singing “You’ll Never Know” roughly 68 years ago — something excellent happens: the air that surrounds us shakes the same way it shook in 1953. Is there anything else like it? Old music might plunge our imaginations into the past, but more tangibly, it changes the physical reality directly outside of our heads. Listening to an old song isn’t a revisitation. It’s a material reenactment. Then happens now.
A sweeping and scrupulous new boxed-set, “R&B in DC 1940-60,” does this little trick 472 times. Compiled and produced by music historian, DJ and record collector Jay Bruder, and released by the German label Bear Family Records, the set features more than 20 hours of blues, doo-wop, jazz, classic R&B, proto-rock-and-roll and other hybrid styles of Black dance music made in Washington decades ago, conjuring the sound of a largely vanished city in startling detail.
The “R&B in DC 1940-1960” box set features more than 20 hours of tunes. (Bear Family Records)
How startling? “Beyond painstaking” probably sells Bruder short. The 352-page coffee table tome anchoring this set examines the scene on a granular level, with Bruder chasing down every scrap of lore until the trail fades into the mist of unknowability. Having scoured old newspaper clips, copyright records, studio and label paperwork, Yellow Pages advertisements and more, he maps out a teeming network of high schools, churches, nightclubs, recording studios, record labels, radio stations and television programs that made this scene pulse for two decades.
Major record companies like Sony’s Legacy, UMI, and Warner’s Rhino have all produced great box sets, but nobody can match the ones from Germany’s Bear Family label, which has been turning out meticulously researched, beautifully packaged, and mindbogglingly comprehensive anthologies for nearly half a century.
The latest, R&B in DC: 1940–1960, is a case in point. Featuring 472 songs on 16 CDs, this numbered, limited-edition box brilliantly evokes the rhythm and blues scene in Washington, D.C., over two decades. It comes with a 352-page, LP-sized hardcover book that contains well-informed essays about the music, the artists, the record labels, the radio stations, and the clubs as well as notes about every song, a bibliography, a ton of rare period photos, and more.
Compiling the material for the coffee-table book reportedly took about seven years, and one can only imagine what must have been required to track down, license, and restore all this old music, much of which was rescued from extremely rare 78 and 45 rpm records. The list of acknowledgments to researchers, DJs, collectors, record dealers, and others is understandably long.
The latest, R&B in DC: 1940–1960, is a case in point. Featuring 472 songs on 16 CDs, this numbered, limited-edition box brilliantly evokes the rhythm and blues scene in Washington, D.C., over two decades. It comes with a 352-page, LP-sized hardcover book that contains well-informed essays about the music, the artists, the record labels, the radio stations, and the clubs as well as notes about every song, a bibliography, a ton of rare period photos, and more.
Compiling the material for the coffee-table book reportedly took about seven years, and one can only imagine what must have been required to track down, license, and restore all this old music, much of which was rescued from extremely rare 78 and 45 rpm records. The list of acknowledgments to researchers, DJs, collectors, record dealers, and others is understandably long.
Various - History R&B in DC 1940-1960 - Rhythm & Blues, Doo Wop, Rockin’ Rhythm and more… HE SECOND DISC
Various Artists, R&B in DC: 1940-1960 (Bear Family)
R&B in D.C. 1940-1960 is Bear Family’s latest treasure trove: a 16-CD box set comprehensively surveying two decades of American regional music as only Bear Family can – with 472 tracks (that’s around 20 hours of music!) and a 352-page hardcover book. It spotlights the early days of future marquee artists including Marvin Gaye, Billy Stewart, and Don Covay (all of whom spent their early days on the D.C. scene) as well as dozens of artists who never broke out beyond local stages but are nonetheless worthy of rediscovery. The box is a snapshot of the many sounds percolating in broader American culture during those years – not just “R&B” per se but swing, doo-wop, rock-and-roll, and soul, too. Master tapes have been utilized when possible (including the 1951 RCA Victor sessions by Tribble, Frank Motley, The Heartbreakers, and Jimmy McPhail) but hundreds of recordings for which no master tapes survive have been transferred and restored by Doug Pomeroy especially for this release. This one-of-a-kind set is limited to just 1,500 copies worldwide. Click here for the full track listing.
Various Artists, R&B in DC: 1940-1960 (Bear Family)
R&B in D.C. 1940-1960 is Bear Family’s latest treasure trove: a 16-CD box set comprehensively surveying two decades of American regional music as only Bear Family can – with 472 tracks (that’s around 20 hours of music!) and a 352-page hardcover book. It spotlights the early days of future marquee artists including Marvin Gaye, Billy Stewart, and Don Covay (all of whom spent their early days on the D.C. scene) as well as dozens of artists who never broke out beyond local stages but are nonetheless worthy of rediscovery. The box is a snapshot of the many sounds percolating in broader American culture during those years – not just “R&B” per se but swing, doo-wop, rock-and-roll, and soul, too. Master tapes have been utilized when possible (including the 1951 RCA Victor sessions by Tribble, Frank Motley, The Heartbreakers, and Jimmy McPhail) but hundreds of recordings for which no master tapes survive have been transferred and restored by Doug Pomeroy especially for this release. This one-of-a-kind set is limited to just 1,500 copies worldwide. Click here for the full track listing.
Various - History R&B in DC 1940-1960 - Rhythm & Blues, Doo Wop, Rockin’ Rhythm and more… No Depression
THE READING ROOM: Box Set’s Book and CDs Explore Washington, DC’s R&B HistoryWhen we think about R&B and soul, Muscle Shoals, Memphis, Detroit, and Philadelphia come immediately to mind as the homes of the sweet grooves that filled dance floors and clubs. The records of William Bell, Carla Thomas, Percy Sledge, Aretha Franklin, Marvin Gaye, Gladys Knight, Billy Paul, and The Spinners, among many others, stayed at the top of the charts in the ’60s and ’70s, each single or album defining an evolving sound identified with the particular city in which the music was recorded at now-iconic studios.Washington, DC, doesn’t come to mind as readily, though, when we think about soul music and the rise of R&B. While Washington had its stars, such as Don Covay, Marvin Gaye, The Clovers, and Van McCoy, their success came after they had left DC and were associated with other labels in other cities. A monumental new book by music researcher and radio host Jay Bruder — with editorial assistance from John Broven (author of Rhythm and Blues in New Orleans), Dan Kochakian (contributor and editor at Blues and Rhythm magazine), Colin Escott (author of Hank Williams: The Biography), and longtime Washington-area DJ and radio program director Dick Lillard — corrects this oversight.
THE READING ROOM: Box Set’s Book and CDs Explore Washington, DC’s R&B HistoryWhen we think about R&B and soul, Muscle Shoals, Memphis, Detroit, and Philadelphia come immediately to mind as the homes of the sweet grooves that filled dance floors and clubs. The records of William Bell, Carla Thomas, Percy Sledge, Aretha Franklin, Marvin Gaye, Gladys Knight, Billy Paul, and The Spinners, among many others, stayed at the top of the charts in the ’60s and ’70s, each single or album defining an evolving sound identified with the particular city in which the music was recorded at now-iconic studios.Washington, DC, doesn’t come to mind as readily, though, when we think about soul music and the rise of R&B. While Washington had its stars, such as Don Covay, Marvin Gaye, The Clovers, and Van McCoy, their success came after they had left DC and were associated with other labels in other cities. A monumental new book by music researcher and radio host Jay Bruder — with editorial assistance from John Broven (author of Rhythm and Blues in New Orleans), Dan Kochakian (contributor and editor at Blues and Rhythm magazine), Colin Escott (author of Hank Williams: The Biography), and longtime Washington-area DJ and radio program director Dick Lillard — corrects this oversight.
Various - History R&B in DC 1940-1960 - Rhythm & Blues, Doo Wop, Rockin’ Rhythm and more… americanahighways.org
The latest, R&B in DC: 1940–1960, is a case in point. Featuring 472 songs on 16 CDs, this numbered, limited-edition box brilliantly evokes the rhythm and blues scene in Washington, D.C., over two decades. It comes with a 352-page, LP-sized hardcover book that contains well-informed essays about the music, the artists, the record labels, the radio stations, and the clubs as well as notes about every song, a bibliography, a ton of rare period photos, and more.
Compiling the material for the coffee-table book reportedly took about seven years, and one can only imagine what must have been required to track down, license, and restore all this old music, much of which was rescued from extremely rare 78 and 45 rpm records. The list of acknowledgments to researchers, DJs, collectors, record dealers, and others is understandably long.
One indication of Bear Family’s obsession with comprehensiveness is that the book opens with a disclaimer that almost reads like an apology: “No attempt was made to cover every record by every artist featured. The list of included artists is extensive but by no means complete.” True, but the compilers can probably be forgiven for any omissions since as previously noted, they did manage to fit in nearly 500 songs. The playing time exceeds 20 hours so you can literally rock around the clock with almost no repeats.
The latest, R&B in DC: 1940–1960, is a case in point. Featuring 472 songs on 16 CDs, this numbered, limited-edition box brilliantly evokes the rhythm and blues scene in Washington, D.C., over two decades. It comes with a 352-page, LP-sized hardcover book that contains well-informed essays about the music, the artists, the record labels, the radio stations, and the clubs as well as notes about every song, a bibliography, a ton of rare period photos, and more.
Compiling the material for the coffee-table book reportedly took about seven years, and one can only imagine what must have been required to track down, license, and restore all this old music, much of which was rescued from extremely rare 78 and 45 rpm records. The list of acknowledgments to researchers, DJs, collectors, record dealers, and others is understandably long.
One indication of Bear Family’s obsession with comprehensiveness is that the book opens with a disclaimer that almost reads like an apology: “No attempt was made to cover every record by every artist featured. The list of included artists is extensive but by no means complete.” True, but the compilers can probably be forgiven for any omissions since as previously noted, they did manage to fit in nearly 500 songs. The playing time exceeds 20 hours so you can literally rock around the clock with almost no repeats.