Vince Everett The Real (CD)

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(Hydra Records) 15 tracks mehr

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Vince Everett: The Real (CD)

(Hydra Records) 15 tracks

Artikeleigenschaften von Vince Everett: The Real (CD)

Interpret: Vince Everett
Albumtitel: The Real (CD)
Genre Rock'n'Roll
Label HYDRA
Artikelart CD
Preiscode Y11
EAN: 4016030000329
Gewicht in Kg: 0.1

Everett, Vince - The Real (CD) CD 1
01	Love Me	Vince Everett
02	Such A Night	Vince Everett
03	Don't Go	Vince Everett
04	I Ain't Gonna Be Your Low Down Dog No More	Vince Everett
05	Sugar Bee	Vince Everett
06	Livin' High	Vince Everett
07	Sweet Flavours	Vince Everett
08	Baby Let's Play House	Vince Everett
09	Box Of Candy	Vince Everett
10	Big Brother	Vince Everett
11	To Have, To Hold And Let Go	Vince Everett
12	Come-Onna My House	Vince Everett
13	I'm Snowed	Vince Everett
14	To Love Is To Gamble	Vince Everett
15	Glitter And Gleam	Vince Everett

Vince Everett: Baby, Let's Play House (Gunter) ABC 10472 (master: 11554) recorded May 29,... mehr

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"Vince Everett"

Vince Everett: Baby, Let's Play House
(Gunter)
ABC 10472 (master: 11554)
recorded May 29, 1963 (Session: 886: 10:00-13:30) Phillips Studio, 319 7th Avenue North, Nashville, Tennessee with Jerry Glenn Kennedy: guitar Scotty Moore: guitar/leader, Wayne Moss: guitar; Bill Black: bass; Henry P. Strzelecki: Fender bass; William P. 'Willie' Ackerman: percussion; Murrey M. 'Buddy' Harman Jr: drums; Harold R. 'Ray Stevens' Ragsdale: leader/piano >P< 1963

This was a pretty groovy record for 1963. It was recorded at the Sun Studio, albeit Sun's new Nashville studio, and featured Elvis' former guitarist, Scotty Moore, and Elvis' future producer, Felton Jarvis, behind the board. The singer even took his name from the character Elvis played in his third movie, 'Jailhouse Rock.' Vince, born Marvin Benefield in the Atlanta suburb of College Park on June 21, 1941, almost inevitably came under the wing of local entrepreneur Bill Lowery.

His first record, issued under the name Marvin Fields, appeared on Lowery's NRC Records. Around 1962, Lowery appears to have concluded a deal with ABC-Paramount that saw Tommy Roe, Joe South, and Marvin Benefield shunted to the bigger label, along with Felton Jarvis, who opened ABC's Nashville office. Felton takes credit for Marvin Benefield becoming Vince Everett, and it was probably his idea to re-do Baby, Let's Play House. It was out of step with the time, even if it half-way fulfilled Felton's fantasy of being Elvis' producer at Sun.

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