Stan Freberg A Child's Garden Of Freberg (LP)

Vorschau: A Child's Garden Of Freberg (LP)

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Artikel-Nr.: LPJASM301
Gewicht in Kg.: 0.2

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(Jasmine) 12 tracks, reproduction of the 1957 Capitol album! Fantastic sound! mehr

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Stan Freberg: A Child's Garden Of Freberg (LP)

(Jasmine) 12 tracks, reproduction of the 1957 Capitol album! Fantastic sound!

Video von Stan Freberg - A Child's Garden Of Freberg (LP)

Artikeleigenschaften von Stan Freberg: A Child's Garden Of Freberg (LP)

Interpret: Stan Freberg
Albumtitel: A Child's Garden Of Freberg (LP)
Genre Rock
Geschwindigkeit 33 U/min
Plattengröße LP (12 Inch)
Record Grading Mint (M)
Sleeve Grading Mint (M)
Label Jasmine Records
Artikelart LP
EAN: 5013727030118
Gewicht in Kg: 0.2

Freberg, Stan - A Child's Garden Of Freberg (LP) LP 1
01	St. George And The Dragonet	Stan Freberg
02	C'est Si Bon	Stan Freberg
03	Try	Stan Freberg
04	Wide Screen Mama Blues	Stan Freberg
05	Heartbreak Hotel	Stan Freberg
06	Rock Around Stephen Foster	Stan Freberg
07	Yellow Rose Of Texas	Stan Freberg
08	John And Marsha	Stan Freberg
09	Great Pretender	Stan Freberg
10	That's My Boy	Stan Freberg
11	Rock Island Line	Stan Freberg
12	Sh Boom	Stan Freberg

Stan Freberg Rock music has always contained a strain of novelty records, and among them have... mehr

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"Stan Freberg"

Stan Freberg

Rock music has always contained a strain of novelty records, and among them have been discs parodying the music itself. The earliest, and still the best, were made during the Fifties by Stan Freberg, who was born on August 7, 1926. He began on radio in the late Forties, doing impersonations, and was soon in demand as a voice for cartoon films.

His first record was 'John And Marsha' a satire on soap operas, for Capitol in 1950. The arrival of rock'n'roll provided him with a whole new area in which to exercise his satirical talent. He delighted in parodying the stylized recordings of both black and white performers, and he had a keen eye for the machinations of the get-rich-quick merchants in the music business. Among his hits were hilarious versions of Presley's 'Heartbreak Hotel', Donegan's sldffle version of 'Rock Island Line' and the Platters' The Great Pretender'.

He picked upon the most identifiable feature of the original — Presley's vocal echo, 11h Donegan's spoken introduction in an acquired drawl, and the doo-wop vocals and constant piano figure behind the Platters. Those features, in fact, which the established musi-cal world might have thought the most facile elements of the new music. The overall impression, however, is not one of distaste but of the creative brilliance of the satire. Freberg had, in any case, already parodied that pillar of the previous musical order, Johnnie Ray, and also Southern attitudes in `Yellow Rose Of Texas', plus the slick sleuth genre in 'St. George And The Dragonet'.

With 'Banana Boat' he returned to the 'making of a record theme' utilized on the rock parodies. As an extension of this, he came up with his own comment on one of the realities of rock with 'The Old Payola Roll Blues', which followed the late Fifties' bribery investi-gations and featured teenage idol 'Clyde Ankle'.

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