Georgia Gibbs The Complete Original Hits Of Georgia Gibbs (CD)
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Georgia Gibbs: The Complete Original Hits Of Georgia Gibbs (CD)
Bald darauf machte sich Georgia selbständig und schloss sich der Hitparade an, wo sie in den nächsten zwei Jahrzehnten 25 Hitsingles für die Labels Coral und Mercury aufnahm, darunter zwei Nummer-1-Hits - "Kiss Of Fire" (1952) und "Dance With Me Henry" (1955). Jetzt hat Hit Parade Records alle ihre Top-50-Hits auf einem Album versammelt - viele davon zum ersten Mal überhaupt auf CD!
The Complete Original Hits Of Georgia Gibbs enthält die Originalversionen von Georgias größten Hits - nicht die Versionen, die sie später in ihrer Karriere für andere Labels aufgenommen hat. Hier finden Sie ihr Chart-Debüt, den Top-5-Schlager "(If I Knew You Were Comin') I'd've Baked a Cake", den sie 1950 für Coral Records aufnahm. Und Sie werden begeistert sein von Georgias schwungvollen Interpretationen von Rock-, Country- und R&B-Songs wie "Tweedlee Dee" (LaVern Baker), von denen einige für die hinreißende Miss Gibbs größere Hits waren als für die ursprünglichen Interpreten. Nach dem Tod von Her Nibs im Dezember 2006 ist The Complete Original Hits Of Georgia Gibbs eine liebevolle Hommage an eine bemerkenswerte Künstlerin und die umfassendste Sammlung ihrer populären Aufnahmen, die je zusammengestellt wurde.
Artikeleigenschaften vonGeorgia Gibbs: The Complete Original Hits Of Georgia Gibbs (CD)
Interpret: Georgia Gibbs
Albumtitel: The Complete Original Hits Of Georgia Gibbs (CD)
Genre Rock'n'Roll
Artikelart CD
- Preiscode Y13
Label Hit Parade Records
EAN: 0730531230422
- Gewicht in Kg: 0.1
Gibbs, Georgia - The Complete Original Hits Of Georgia Gibbs (CD) CD 1 | ||||
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01 | Kiss Of Fire | Georgia Gibbs | ||
02 | Ballin' The Jack (Mercury Version) | Georgia Gibbs | ||
03 | (If I Knew You Were Comin') I'd've Baked A... | Georgia Gibbs | ||
04 | Dance With Me Henry | Georgia Gibbs | ||
05 | Tweedle Dee | Georgia Gibbs | ||
06 | Seven Lonely Days | Georgia Gibbs | ||
07 | I Want You To Be My Baby | Georgia Gibbs | ||
08 | I Still Feel The Same About You | Georgia Gibbs | ||
09 | Cry | Georgia Gibbs | ||
10 | So Madly In Love | Georgia Gibbs | ||
11 | While You Danced, Danced, Danced | Georgia Gibbs | ||
12 | Happiness Street | Georgia Gibbs | ||
13 | Tom's Tune | Georgia Gibbs | ||
14 | My Favorite Song | Georgia Gibbs | ||
15 | Good Morning Mister Echo | Georgia Gibbs | ||
16 | Play A Simple Melody (& BOB CROSBY) | Georgia Gibbs | ||
17 | Sweet & Gentle | Georgia Gibbs | ||
18 | Somebody Bad Stole De Wedding Bell (Who's...) | Georgia Gibbs | ||
19 | Kiss Me Another | Georgia Gibbs | ||
20 | Tra La La | Georgia Gibbs | ||
21 | The Hula Hoop Song | Georgia Gibbs | ||
22 | Rock Right | Georgia Gibbs | ||
23 | Great Balls Of Fire | Georgia Gibbs |
Georgia Gibbs
Great Balls Of Fire
Pat Boone’s most serious competition as the top pop usurper of R&B hits was likely Georgia Gibbs, whose mid-‘50s run of smashes for Mercury was loaded with bowdlerized renditions of current black blockbusters. Gibbs was no kid by then—she was in her mid-30s and a veteran of the big band era. Born Frieda Lipschitz in Worcester, Massachusetts on August 17, 1919, she spent some of her time as a child in an orphanage after her father died. Barely into her teens, Frieda was singing over the Worcester radio airwaves, and she began singing in area vaudeville houses as well, including the Raymor in Boston.
At 17, Frieda joined The Hudson-DeLange Orchestra for nearly a year’s worth of one-nighters, performing as Fredda Gibson. From there, she sang with the orchestras of Hal Kemp, Tommy Dorsey, Artie Shaw, and Frankie Trumbauer, appearing on Shaw’s 1942 hit Absent Minded Moon. The chanteuse had changed her name to Georgia Gibbs by 1943, when she was a regular on radio’s ‘Camel Caravan’ (host Garry Moore dreamed up the introduction ‘Her Nibs, Miss Georgia Gibbs,’ and it stuck). Gibbs began recording as a solo for Majestic in 1946, enjoying her first hit in ’50 with the chirpy If I Knew You Were Comin’ I’d’ve Baked A Cake for Coral.
Mercury Records pacted Georgia in 1951. There she enjoyed a string of successful platters, notably her ’52 pop chart-topper Kiss Of Fire and its followup Seven Lonely Days. Gibbs’ parade of R&B covers commenced in 1954 with her version of Ruth Brown’s Mambo Baby. Next came Gibbs’ highly imitative rendition of LaVern Baker’s saucy ’55 Atlantic smash Tweedle Dee, with Glenn Osser serving as Gibbs’ orchestra leader. Its #2 pop impact limited Baker’s pop possibilities and made LaVern mad enough to petition the U.S. Congress regarding the sin of stealing musical arrangements verbatim (her request was denied).
“I wasn't mad at her about singing the song. I was mad at her about the arrangement,” explained the late Baker. “Because when you make a recording session, that's your music. You pay for that music. So that's my music.” Undeterred by the controversy, Georgia came right back with a cleaned-up version of Etta James’ R&B chart-pacer The Wallflower. Even the title of Gibbs’ Mercury remake had been sanitized—she called it Dance With Me Henry. Georgia’s version was a #1 pop smash; teenaged Etta’s far superior original didn’t even show up on the pop hit parade. She wasn’t too thrilled about that.
“I thought it was a tragedy,” said the late James. “Later on, I found out it was good because I had wrote the song, and by selling four million copies of it, it just made me money. But at that time, I didn't know what the deal was. I just thought here comes a chick that sings popular music singing a rhythm and blues song, and it's kind of stopping the sales on mine. But it really didn't. I just didn't know any better during those days.”
Georgia moved over to RCA Victor in 1957. Although she’d cut down somewhat on the covers, Georgia made an exception late that year when Jerry Lee Lewis came roaring out of Memphis with his thundering Sun Records smash Great Balls Of Fire. New Yorkers Otis Blackwell and Jack Hammer had collaborated on the song in preparation for a rock and roll movie, ‘Jamboree,’ that Blackwell was working on as musical director.
“(Jack) brought me the idea for ‘Great Balls Of Fire,’” said the late Blackwell, the compositional genius behind Fever, Don’t Be Cruel, All Shook Up, and Breathless. “They switched it over and sent it to Jerry Lee to cut it.” The piano player tinkled instead of pumped on Gibbs’ RCA cover, but a savage guitar solo afforded it some rock and roll legitimacy. A revival of Ernest Tubb’s country classic I’m Walking The Floor Over You earlier that year was Gibbs’ only RCA hit parade appearance. She took her last chart bow the next year with The Hula Hoop Song for Morris Levy’s Roulette Records. But Gibbs kept on recording for Kapp, Imperial, and Epic until she faded out on wax midway through the ‘60s. Georgia died of leukemia in New York on December 9, 2006 at 87.
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