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Mississippi John Hurt Mr. Hurt Goes To Washington (2-CD)

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(Sunset Blvd.) 40 tracks, digisleeve The Best of the Washington D. C. Sessions Im Juli 1963...mehr

Mississippi John Hurt: Mr. Hurt Goes To Washington (2-CD)

(Sunset Blvd.) 40 tracks, digisleeve

The Best of the Washington D. C. Sessions
Im Juli 1963 konnte die Library of Congress Mississippi John Hurt dazu bewegen, in das Coolidge Auditorium in DC zu kommen und Dutzende von Songs als Krönung seines Vermächtnisses aufzunehmen.

Mississippi John Hurt sang mit einer Wärme und nachdenklichen Qualität, die ihn wie keinen anderen Bluessänger auf der Welt klingen ließ, und diese Library of Congress Recordings zeigen seinen vom Gospel beeinflussten Stil auf wunderbare Weise.

Artikeleigenschaften vonMississippi John Hurt: Mr. Hurt Goes To Washington (2-CD)

Hurt, Mississippi John - Mr. Hurt Goes To Washington (2-CD) CD 1
01Candy manMississippi John Hurt
02Avalon bluesMississippi John Hurt
03Frankie and AlbertMississippi John Hurt
04Richland women bluesMississippi John Hurt
05Stack o' LeeMississippi John Hurt
06Louis CollinsMississippi John Hurt
07Monday morning bluesMississippi John Hurt
08Nobody's dirty businessMississippi John Hurt
09Slidin' deltaMississippi John Hurt
10Got the blues can't be satisfiedMississippi John Hurt
11My creole belleMississippi John Hurt
12Spike driver bluesMississippi John Hurt
13Coffee bluesMississippi John Hurt
14Let the mermaids flirt with meMississippi John Hurt
15Talkin' Casey JonesMississippi John Hurt
16Funky buttMississippi John Hurt
17Joe turnerMississippi John Hurt
18I'm satisfiedMississippi John Hurt
19Blessed be the nameMississippi John Hurt
20Camp meeting on the old camp groundMississippi John Hurt
Hurt, Mississippi John - Mr. Hurt Goes To Washington (2-CD) CD 2
01Trouble i've had all my dayMississippi John Hurt
02Pera leeMississippi John Hurt
03Pay dayMississippi John Hurt
04Corrina, CorrinaMississippi John Hurt
05Hey baby right awayMississippi John Hurt
06Pallet on the floorMississippi John Hurt
07Waiting for a trainMississippi John Hurt
08Oh Mary don't you weepMississippi John Hurt
09Weeping and wailingMississippi John Hurt
10Keep on knockingMississippi John Hurt
11If you don't want meMississippi John Hurt
12Salty dogMississippi John Hurt
13Walking the floor over youMississippi John Hurt
14Cow hooking bluesMississippi John Hurt
15Four o'clock bluesMississippi John Hurt
16See see riderMississippi John Hurt
17Poor boy a long way from homeMississippi John Hurt
18Good morning miss carrieMississippi John Hurt
19I got mineMississippi John Hurt
20Hot time in the old town tonightMississippi John Hurt
Mississippi John Hurt Mississippi John Hurt, (born July 3, 1893, Teoc, Miss.; died November 2,... mehr
"Mississippi John Hurt"

Mississippi John Hurt

Mississippi John Hurt, (born July 3, 1893, Teoc, Miss.; died November 2, 1966, Grenada, Miss.) Mississippi John Hurt was a songster whose repertoire included a caressing, gentle version of the blues, handed-down folk songs, light rags, and ballads. Apart from a brief recording career in the late 1920s, Hurt lived nearly all of his life in obscurity until being rediscovered by folk fan Tom Hoskins in 1963. During the three years before his death in 1966, Hurt performed his soft-spoken, finger-picked blues and folk tunes at college coffeehouses and numerous festivals, in-cluding the Newport Folk Festival (1963 to 1965).

A favorite with the early-'60s folk crowd, who were touched by his untroubled voice and equally tranquil guitar picking, Hurt also appeared on national television, performed in the blues docu-mentary This Hour Has Seven Days, and recorded three albums for Vanguard Records. Hurt was raised in Mississippi, where he taught himself how to play guitar. He worked as a farmhand and often performed at local dances and socials. Hurt was discovered by an Okeh Records talent scout in 1928 and sent to Memphis and New York where he recorded thirteen sides, only seven of which were ever released. Hurt returned to Mississippi where he continued to do farm work and occasional performances in the Avalon area until age seventy-one, when Hoskins found him. Hurt was a major influence on the many folk artists who came of age in the early 1960s.

Everyone from Bob Dylan down has paid tribute to Hurt's inventive finger-picking technique and his humble brand of blues.

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