Mississippi John Hurt Mr. Hurt Goes To Washington (2-CD)
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Mississippi John Hurt: Mr. Hurt Goes To Washington (2-CD)
The Best of the Washington D. C. Sessions Im Juli 1963 konnte die Library of Congress Mississippi John Hurt dazu bewegen, in das Coolidge Auditorium in DC zu kommen und Dutzende von Songs als Krönung seines Vermächtnisses aufzunehmen.
Mississippi John Hurt sang mit einer Wärme und nachdenklichen Qualität, die ihn wie keinen anderen Bluessänger auf der Welt klingen ließ, und diese Library of Congress Recordings zeigen seinen vom Gospel beeinflussten Stil auf wunderbare Weise.
Artikeleigenschaften vonMississippi John Hurt: Mr. Hurt Goes To Washington (2-CD)
Interpret: Mississippi John Hurt
Albumtitel: Mr. Hurt Goes To Washington (2-CD)
Genre Blues
Artikelart CD
Label Sunset Blvd.
EAN: 0708535791829
- Gewicht in Kg: 0.2
Hurt, Mississippi John - Mr. Hurt Goes To Washington (2-CD) CD 1 | ||||
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01 | Candy man | Mississippi John Hurt | ||
02 | Avalon blues | Mississippi John Hurt | ||
03 | Frankie and Albert | Mississippi John Hurt | ||
04 | Richland women blues | Mississippi John Hurt | ||
05 | Stack o' Lee | Mississippi John Hurt | ||
06 | Louis Collins | Mississippi John Hurt | ||
07 | Monday morning blues | Mississippi John Hurt | ||
08 | Nobody's dirty business | Mississippi John Hurt | ||
09 | Slidin' delta | Mississippi John Hurt | ||
10 | Got the blues can't be satisfied | Mississippi John Hurt | ||
11 | My creole belle | Mississippi John Hurt | ||
12 | Spike driver blues | Mississippi John Hurt | ||
13 | Coffee blues | Mississippi John Hurt | ||
14 | Let the mermaids flirt with me | Mississippi John Hurt | ||
15 | Talkin' Casey Jones | Mississippi John Hurt | ||
16 | Funky butt | Mississippi John Hurt | ||
17 | Joe turner | Mississippi John Hurt | ||
18 | I'm satisfied | Mississippi John Hurt | ||
19 | Blessed be the name | Mississippi John Hurt | ||
20 | Camp meeting on the old camp ground | Mississippi John Hurt |
Hurt, Mississippi John - Mr. Hurt Goes To Washington (2-CD) CD 2 | ||||
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01 | Trouble i've had all my day | Mississippi John Hurt | ||
02 | Pera lee | Mississippi John Hurt | ||
03 | Pay day | Mississippi John Hurt | ||
04 | Corrina, Corrina | Mississippi John Hurt | ||
05 | Hey baby right away | Mississippi John Hurt | ||
06 | Pallet on the floor | Mississippi John Hurt | ||
07 | Waiting for a train | Mississippi John Hurt | ||
08 | Oh Mary don't you weep | Mississippi John Hurt | ||
09 | Weeping and wailing | Mississippi John Hurt | ||
10 | Keep on knocking | Mississippi John Hurt | ||
11 | If you don't want me | Mississippi John Hurt | ||
12 | Salty dog | Mississippi John Hurt | ||
13 | Walking the floor over you | Mississippi John Hurt | ||
14 | Cow hooking blues | Mississippi John Hurt | ||
15 | Four o'clock blues | Mississippi John Hurt | ||
16 | See see rider | Mississippi John Hurt | ||
17 | Poor boy a long way from home | Mississippi John Hurt | ||
18 | Good morning miss carrie | Mississippi John Hurt | ||
19 | I got mine | Mississippi John Hurt | ||
20 | Hot time in the old town tonight | Mississippi John Hurt |
Mississippi John Hurt
Mississippi John Hurt, (born July 3, 1893, Teoc, Miss.; died November 2, 1966, Grenada, Miss.) Mississippi John Hurt was a songster whose repertoire included a caressing, gentle version of the blues, handed-down folk songs, light rags, and ballads. Apart from a brief recording career in the late 1920s, Hurt lived nearly all of his life in obscurity until being rediscovered by folk fan Tom Hoskins in 1963. During the three years before his death in 1966, Hurt performed his soft-spoken, finger-picked blues and folk tunes at college coffeehouses and numerous festivals, in-cluding the Newport Folk Festival (1963 to 1965).
A favorite with the early-'60s folk crowd, who were touched by his untroubled voice and equally tranquil guitar picking, Hurt also appeared on national television, performed in the blues docu-mentary This Hour Has Seven Days, and recorded three albums for Vanguard Records. Hurt was raised in Mississippi, where he taught himself how to play guitar. He worked as a farmhand and often performed at local dances and socials. Hurt was discovered by an Okeh Records talent scout in 1928 and sent to Memphis and New York where he recorded thirteen sides, only seven of which were ever released. Hurt returned to Mississippi where he continued to do farm work and occasional performances in the Avalon area until age seventy-one, when Hoskins found him. Hurt was a major influence on the many folk artists who came of age in the early 1960s.
Everyone from Bob Dylan down has paid tribute to Hurt's inventive finger-picking technique and his humble brand of blues.
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