Millie Jackson The Moods Of Millie Jackson: Her Best Ballads (CD)
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- Gewicht in Kg.: 0.1
Millie Jackson: The Moods Of Millie Jackson: Her Best Ballads (CD)
Millie Jackson gehörte zu den US-Soul-Queens die nie ein Blatt vor den Mund nahmen und textlich bereits schon in den 70er Jahren mit ihren ‘Explicit Lyrics’ für Aufregung auf dem prüden US-Markt sorgte. 20 Alben stehen zu Buche, die besten davon natürlich im Ace-Katalog via Southbound uns Kent. Was immer fehlte, war eine Zusammenfassung ihre intensiven Soul-Balladen mit denen die Sängerin ebenfalls für Furore sorgten, darunter ‘If Loving You Is Wrong (I Don’t Want To Be Right) das der Isaac Hayes-Version locker Paroli bietet, oder auch ‘It Hurts So Good‘.
Artikeleigenschaften von Millie Jackson: The Moods Of Millie Jackson: Her Best Ballads (CD)
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Interpret: Millie Jackson
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Albumtitel: The Moods Of Millie Jackson: Her Best Ballads (CD)
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Genre R&B, Soul
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Label KENT
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Artikelart CD
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EAN: 0029667239127
- Gewicht in Kg: 0.1
| Jackson, Millie - The Moods Of Millie Jackson: Her Best Ballads (CD) CD 1 | ||||
|---|---|---|---|---|
| 01 | There you are | Millie Jackson | ||
| 02 | A love of your own | Millie Jackson | ||
| 03 | I can't say goodbye | Millie Jackson | ||
| 04 | From her arms to mine | Millie Jackson | ||
| 05 | (If Loving You Is Wrong) I Don't Want To Be Right | Millie Jackson | ||
| 06 | Solitary love affair | Millie Jackson | ||
| 07 | Special occasion | Millie Jackson | ||
| 08 | It hurts so good | Millie Jackson | ||
| 09 | Good to the very last drop | Millie Jackson | ||
| 10 | I'll be rolling | Millie Jackson | ||
| 11 | I'm Tired Of Hiding | Millie Jackson | ||
| 12 | I'm Through Trying To Prove My Love To You | Millie Jackson | ||
| 13 | How Do You Feel The Morning After | Millie Jackson | ||
| 14 | Angel in your arms | Millie Jackson | ||
| 15 | I Just Can't Stand It | Millie Jackson | ||
| 16 | It's Gonna Take Some Time This Time | Millie Jackson | ||
| 17 | Loving Arms | Millie Jackson | ||
| 18 | Making the best of a bad situation | Millie Jackson | ||
| 19 | I still love you (you still love me) | Millie Jackson | ||
| 20 | A Child Of God (It's Hard To Believe) | Millie Jackson | ||
Millie Jackson
Hurts So Good
Millie Jackson
Hurts So Good
Statuesque former model Millie Jackson broke new ground later in the decade with her R-rated monologs about sex and cheating. In 1973 she was a soul singer and nothing more—and an excellent one at that.
Born July 15, 1944 in Thomson, Georgia, Mildred Jackson grew up in a rural environment until she joined her dad in Newark, New Jersey in 1958. Modeling came first, then singing--totally by accident when she entered a ‘64 talent contest at the Palms Café in Harlem. Millie’s rendition of Ben E. King’s hit Don’t Play That Song (You Lied) won her a $20 gig at the Crystal Ballroom on 125th Street that she never got paid for. Nonetheless, she was on her way, touring with L.C. Cooke (Sam’s younger brother) and impressing Crystal Ballroom guitarist Billy Nichols.
Nichols wrote and shared arranging duties on Millie’s 1969 debut single for MGM, A Little Bit Of Something, with producer Ronnie Savoy. But the MGM hookup was temporary. Jackson worked up an album’s worth of demos with Nichols that impressed the owners of New York-based Spring Records. Millie was no shrinking violet, co-writing her ’71 Spring debut A Child Of God (It’s Hard To Believe), which dented the R&B hit parade. She did even better the next year, registering a #4 R&B hit with Ask Me What You Want (which she penned with Billy) and going to #7 R&B with My Man, A Sweet Man.
Spring staffer Raeford Gerald composed Jackson’s first hit of 1973, Breakaway. But Millie wanted to do more serious material. Spring hired producer Brad Shapiro, who brought the chanteuse to Muscle Shoals and helmed her Hurts So Good, penned by local composer Prince Phillip Mitchell (Shapiro and Mike Lewis split arranging duties). With exposure from its inclusion on the soundtrack to the blaxploitation flick ‘Cleopatra Jones’ (labelmate Joe Simon provided its hit title theme), Hurts So Good flew to #3 R&B and #24 pop in late summer of ’73.
Millie’s extended and explicit raps (the term meant something different back then) about unfaithful men and sexual exploits of all sorts became her trademark as she unleashed a steady stream of hits on Spring extending through 1983. She remains a sassy, vivacious vocalist.
- Bill Dahl -
Various - Sweet Soul Music 23 Scorching Classics From 1973
Read more at: https://www.bear-family.de/various-sweet-soul-music-23-scorching-classics-from-1973.html
Copyright © Bear Family Records
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