Jefferson Airplane Woodstock Sunday August 17, 1969 (3-LP, Colored Vinyl, Ltd.)
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- Artikel-Nr.:LPRGM1798
- Gewicht in Kg.: 0.67
Jefferson Airplane: Woodstock Sunday August 17, 1969 (3-LP, Colored Vinyl, Ltd.)
Kantners Beteuerungen zum Trotz spielten The Airplane (mit Gastpianist Nicky Hopkins im Schlepptau) ein glühendes zweistündiges Set, das den Elementen und den Umständen trotzte. Grace Slick führte die Band an, als sie sich in eine frenetische Version von Fred Neils „The Other Side of This Life“ stürzte: „Also gut, Freunde, ihr habt die schweren Gruppen gesehen. Jetzt werdet ihr die Musik der Morgenverrückten sehen. Glaubt mir, ja. It's a new dawn!“ Was folgte, war ein abenteuerliches (und überraschend tightes) Set, das nicht nur die großen Hits der Band wie „White Rabbit“ und „Somebody to Love“ enthielt, sondern auch Songs vom Volunteers-Album vorstellte, das noch drei Monate von seiner Veröffentlichung entfernt war, darunter eine 21-minütige Version von „Wooden Ships“! In der Tat waren die einzigen Mitglieder der Crew, die nicht ganz auf der Höhe waren, diejenigen, die die Konzertdokumentation filmten, was erklärt, warum The Airplane nicht zu den Acts gehört, die einem in den Sinn kommen, wenn man an Woodstock denkt; sie erschienen nicht im Film, weil das Filmmaterial unzureichend war, und nur einer ihrer Songs („Volunteers“) war auf der 3-LP-Woodstock-Veröffentlichung enthalten, die die Charts eroberte.
Jetzt ist Real Gone Music stolz darauf, den kompletten Woodstock-Auftritt von Jefferson Airplane zu präsentieren. Das 3-LP-Set kommt in einem wunderschönen Doppel-Gatefold-Schutzumschlag mit Fotos der Band in Woodstock, von denen die meisten vom legendären Henry Diltz aufgenommen wurden; Linernotes von Folk-Rock-Guru Richie Unterberger runden das Paket ab. Gepresst in irisierendem, „wolkenbrechendem“ Blau zum 55. Jahrestag der Veröffentlichung, stellt diese Ausgabe überzeugend unter Beweis, dass der Woodstock-Auftritt von Jefferson Airplane in einer Reihe mit den Auftritten von Jimi, Sly und Santana zu den Highlights des Festivals zählt. Limitiert auf 1000 Exemplare!
Video von Jefferson Airplane - Woodstock Sunday August 17, 1969 (3-LP, Colored Vinyl, Ltd.)
Artikeleigenschaften vonJefferson Airplane: Woodstock Sunday August 17, 1969 (3-LP, Colored Vinyl, Ltd.)
Interpret: Jefferson Airplane
Albumtitel: Woodstock Sunday August 17, 1969 (3-LP, Colored Vinyl, Ltd.)
Genre Rock'n'Roll
Label Real Gone Music
- Geschwindigkeit 33 U/min
- Plattengröße LP (12 Inch)
- Record Grading Mint (M)
- Sleeve Grading Mint (M)
- Edition 2 Limited Edition
Artikelart LP
EAN: 0198028044219
- Gewicht in Kg: 0.67
Jefferson Airplane - Woodstock Sunday August 17, 1969 (3-LP, Colored Vinyl, Ltd.) LP 1 | ||||
---|---|---|---|---|
01 | Introduction | Jefferson Airplane | ||
02 | The Other Side Of This Life | Jefferson Airplane | ||
03 | Somebody To Love | Jefferson Airplane | ||
04 | 3/5 Of A Mile In 10 Seconds | Jefferson Airplane | ||
05 | Won T You Try / Saturday Afternoon | Jefferson Airplane | ||
06 | Eskimo Blue Day | Jefferson Airplane | ||
07 | Plastic Fantastic Lover | Jefferson Airplane |
Jefferson Airplane - Woodstock Sunday August 17, 1969 (3-LP, Colored Vinyl, Ltd.) LP 2 | ||||
---|---|---|---|---|
01 | Wooden Ships | Jefferson Airplane | ||
02 | Uncle Sam Blues | Jefferson Airplane | ||
03 | Volunteers | Jefferson Airplane |
Jefferson Airplane - Woodstock Sunday August 17, 1969 (3-LP, Colored Vinyl, Ltd.) LP 3 | ||||
---|---|---|---|---|
01 | The Ballad Of You & Me & Pooneil | Jefferson Airplane | ||
02 | Come Back Baby | Jefferson Airplane | ||
03 | White Rabbit | Jefferson Airplane | ||
04 | The House At Pooneil Corner | Jefferson Airplane |
Jefferson Airplane
Jefferson Airplane became synonymous with the 'San Francisco Sound' in 1967 when both 'Somebody To Love' and 'White Rabbit' were Top Ten hits on RCA. Although the critical consensus is that the Airplane reached their peak in 1970, they remain, with the Grateful Dead, the most long-lasting and prolific of the groups to emerge from Haight-Ashbury in the late Sixties. Formed on the initiative of singer Marty Balin, who had recorded solo sides for Challenge in the early Sixties, the group was born out of a bunch of ex-folk musicians, who began playing folk-rock at the Matrix in the summer of 1965.
One of the earliest San Francisco bands to establish themselves at the centre of the growing local culture, they were the first to secure a recording con-tract. The advance paid by RCA was said to be $25,000, and by the time the first album (Jefferson Airplane Takes Off) was recorded the following winter, the group was fully electric. Although it was, in parts, derivative of the Beatles and the Lovin' Spoonful, the record showed how innovative the Jefferson Airplane were to be. From the beginning they saw their music as a means of breaking down established tradi-tions and mores : hence the unabashed way they celebrated the drug culture, as early as 1965. Following the release of Takes Off, singer Signe Anderson left to be replaced by Grace Slick from the Great Society, another San Francisco group. Drummer Skip Spence also departed, to form Moby Grape.
The remaining personnel remained together for the next four years. They were Jorma Kaukonen, lead guitar (born Dec. 23, 1940), Jack Casady, bass (April 4, 1944), Paul Kantner, guitar and vocals (March 3, 1941); Marty Balin, vocals (Jan. 30, 1943), Grace Slick, vocals (Oct. 10, 1939) and Spencer Dryden, drums (April 7, 1938). They were a co-operative, multi-media band, with posters, album-sleeves, dance promotion and Glenn McKay's Headlights light show all integral parts of their activity. The late Sixties also saw them at a creative zenith as a recording group with Surrealis-tic Pillow (1967), After Bathing At Baxters and Crown Of Creation (1968), the live Bless its Little Pointed Head and the politically oriented Volunteers (1969).
Grace Slick was an important addition to the band. She strengthened its visual and musical identity (through her harmonies with Balin). And she was the composer of the Airplane's two hit singles, 'White Rabbit' and 'Somebody To Love'. Equally important was the group's electronic experimentation, in the extended instrumental passages of songs like '3/5 Of A Mile In 10 Seconds' and 'The Ballad Of You, Me And Pooneil'.
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