The Merseybeats & The Merseys I Stand Accused - The Complete Merseybeats And Merseys Sixties Recordings (2-CD)
- Artikel-Nr.: CDCRSEG092
- Gewicht in Kg.: 0.28
The Merseybeats & The Merseys: I Stand Accused - The Complete Merseybeats And Merseys Sixties Recordings (2-CD)
The Merseybeats gingen aus der Liverpooler Gruppenszene während der Goldrauschjahre hervor. Mit ihrer Kombination aus Gesangsharmonien im Stil der Everly Brothers und clever gewählten Beat-Boom-Balladen nahmen sie mehrere Hit-Singles auf (darunter "I Think Of You", das die Top Five erreichte), ein Paar sehr populäre EPs und ein selbstbetiteltes Album, das mehrere Monate in den LP-Charts verbrachte.
Nachdem ihre großartige Version von "I Stand Accused" (ein großer Favorit des lokalen Teenagers Elvis Costello, der den Song später coverte) nicht der große Hit wurde, den er verdiente, erfanden sich die Gruppenleiter Tony Crane und Billy Kinsley als Gesangsduo The Merseys neu und nahmen "Sorrow" auf, einen der klassischen Pop-Hits der Mitte der 60er Jahre, der später im Beatles-Song "It's All Too Much" zitiert und einige Jahre später von David Bowie wieder in die Charts gebracht wurde.
Auf "Sorrow" folgten eine Handvoll Merseys-Singles, die zwar weniger erfolgreich waren, aber von Bewunderern des britischen Pop und der Psychedelia der späten 60er Jahre hoch geschätzt werden und nun zum ersten Mal legitim unter einem Dach versammelt sind.
I Stand Accused: The Complete Merseybeats and Merseys Sixties Recordings enthält alles, was bekanntlich von beiden Acts aufgenommen wurde, einschließlich Demos, Out-Takes, alternativen Versionen und Homerecordings. Das Set enthält auch die verschiedenen Splitterprojekte, die in der gleichen Zeit entstanden, mit einer pseudonymen Single als Crackers und einigen sehr gesuchten 45ern mit dem Merseybeats-Schlagzeuger John Banks und dem ehemaligen Big Three-Bassisten Johnny Gustafson, der Kinsley kurzzeitig bei den Merseybeats ersetzt hatte.
I Stand Accused, eine 2-CD-Digipak-Veröffentlichung, enthält viele großartige Farbfotos sowie ein neues 9.000 Wörter umfassendes Essay, das die faszinierenden Karrieren beider Bands detailliert beschreibt, einschließlich ihrer Beziehungen zu den Beatles und Brian Epstein vor ihrer Berühmtheit, ihrer Abenteuer mit The Who (mit denen sie das gleiche Management-Team teilten, was dazu führte, dass John Entwistle und Keith Moon auf einer Handvoll Mersey-Tracks mitspielten) und ihrer ungewollten Rolle in der Geschichte um die Entlassung von Pete Best.
Artikeleigenschaften von The Merseybeats & The Merseys: I Stand Accused - The Complete Merseybeats And Merseys Sixties Recordings (2-CD)
-
Interpret: The Merseybeats & The Merseys
-
Albumtitel: I Stand Accused - The Complete Merseybeats And Merseys Sixties Recordings (2-CD)
-
Genre Beat
-
Label Grapefruit Records
-
Artikelart CD
-
EAN: 5013929189225
- Gewicht in Kg: 0.28
The Merseybeats
I Think Of You – The Complete Recordings
It’s Love That Really Counts, I Think Of You and Wishin’ And Hopin' are just some of the attractive, haunting hits that made The Merseybeats one of the most popular of all the great Liverpool groups. They emerged at the same time as The Beatles and for a while threatened to rival them as heroes of the Mersey scene.
The founders of the group were Tony Crane (vocal, lead guitar) and Billy Kinsley (vocal, bass). As Liverpool school kids they listened to Elvis Presley and Little Richard and dreamt of becoming pop stars themselves. While still at school Tony (16) and Billy (15) formed a vocal duo called The Mavericks. When they saw The Beatles performing at The Cavern in 1962 they were blown away and decided to form their own group. The line-up included Tony and Billy, David Elias (guitar, vocal) and Frank Sloane (drums). For a while they were known as The Pacifics, then Aaron Williams and John Banks replaced Elias and Sloane and they changed their name to The Mersey Beats in February 1962.
In April 1962 the group played at The Cavern for the first time and secured a lunchtime residency. Tony and Billy gave up their day jobs as clerks in order to concentrate on a musical career. It became their proud boast that they supported The Beatles at The Cavern on more occasions than any other group. The next step was to shorten the name to The Merseybeats and the hot young act was signed to the Fontana label in June 1963. They were even managed by Beatles’ mentor Brian Epstein for a while, but decided to split from Brian after a disagreement about their stage image.
The Merseybeats’ first hit was an excellent 'reading' of the Hal David and Burt Bacharach song It's Love That Really Counts that got to #24 in the UK singles charts in September 1963. But their biggest hit was I Think Of You written by Peter Lee Stirling, which shot to #5 in January 1964. Both tracks were also recorded for a single in the German language, Nur unsere Liebe zählt/Nur du allein, a sought-after collectors’ item these days.
These haunting, yet lusty vocal performances epitomised the character of Liverpool's pop scene. Strength, romanticism and a down to earth attitude prevailed. A sense of humour and cheeky confidence also helped make the rest of the world sit up and take notice. Soon The Merseybeats were touring Britain and Europe, playing to hysterical hordes of screaming fans.
Billy and Tony continued to enjoy chart success and Don't Turn Around' got to #13 in April 1964. But the rollercoaster ride of stardom had taken its toll on the young musicians. Billy Kinsley left for a while to recover and subsequently formed an outfit called the Kinsleys. Meanwhile The Merseybeats' Wishin' And Hopin' got to #13 in July that year. Last Night (I Made A Little Girl Cry), was not quite so successful and just scraped into the Top Forty in November.
The group's only album, 'The Merseybeats' (1964) featured standards and ballads like Rodgers & Hammerstein's Hello, Young Lovers. However, an EP titled 'On Stage', although not 'live' the title reminded Johnny Gustafson that their 'live' performances were much tougher. Gustafson toured and recorded with The Merseybeats during the period Billy was out of the group. He also wrote some of the material the band used on the studio album. "I think we made the record in ten minutes" , laughs Johnny. "Fontana didn’t want to spend any money. They just wanted to knock an LP out quickly, to capitalise on the hit singles." Johnny (born August 18, 1942) had been a member of such early Liverpool bands as Cass & The Casanovas and The Big Three, a powerful unit that often played The Star-Club, Hamburg.
Some forty years after these events, Johnny Gustafson lives peacefully in Whitstable, Kent, but has fond memories of the crazy Sixties. "I joined The Merseybeats in the New Year of 1964, just after The Big Three had split up. Brian Griffiths the guitarist and I decided to team up with another drummer and we drove around Europe in search of gigs. We went to Copenhagen and Hamburg and ended up in a Frankfurt club called the Arcadia. Then we got fired for being too loud. It was ridiculous. I ended up singing without a microphone, but the club owner wouldn’t have it and he fired us. Just before we were due to quit, in walked a couple of The Merseybeats and their manager.
"Their bass player Billy had decided to quit for some reason and Tony Crane and Aaron Williams asked me to replace him. The group were very young when it all started to happen for them. I remember them telling me they had supported Little Richard at the Tower Ballroom in New Brighton when Billy was still only sixteen. The Merseybeats were supposed to be a ballad style group. They were known for their vocal harmonies. But it turned out their stage act was quite wild and raucous. They'd play Little Richard and Bo Diddley numbers and they were an extremely loud, roaring band. The Big Three were also known for being a loud band, but I didn't tell Tony we had just been fired! I played my first gig with The Merseybeats the day after I came back to London from Frankfurt. The line up was myself, Tony, Aaron Willams and John Banks, who died in 1988. Tony was a very friendly 'Scouser' and I slotted in with the group very well."
Crane and Gustafson are credited with quite a few of the compositions on this CD, including Really Mystified, Milkman and See Me Back. Says Johnny: "Tony and I decided on a 'Lennon & McCartney' style split when we wrote these songs, although that didn’t necessarily indicate who wrote what. 'Really Mystified' was the first song I ever wrote when I was 16 and living in Liverpool. I just changed the lyrics for this version. It was originally called 'Baby Please Don't Go' would you believe. We recorded this version as a B-side of a single in a little studio in Bond Street. 'Milkman' was written in a hotel room in Lancaster Gate while I was sitting on the bed."
MERSEYBEATS I Think Of You - The Complete Recordings
Read more at: https://www.bear-family.com/merseybeats-i-think-of-you-the-complete-recordings.html
Copyright © Bear Family Records
Sofort versandfertig, Lieferzeit** 1-3 Werktage
die letzten 2 verfügbar
Sofort versandfertig, Lieferzeit** 1-3 Werktage
die letzten 1 verfügbar
Sofort versandfertig, Lieferzeit** 1-3 Werktage
die letzten 2 verfügbar
Sofort versandfertig, Lieferzeit** 1-3 Werktage
Sofort versandfertig, Lieferzeit** 1-3 Werktage
die letzten 1 verfügbar
Sofort versandfertig, Lieferzeit** 1-3 Werktage
Sofort versandfertig, Lieferzeit** 1-3 Werktage
Dieser Artikel ist gestrichen und kann nicht mehr bestellt werden!
Sofort versandfertig, Lieferzeit** 1-3 Werktage
nur noch 1 verfügbar
Sofort versandfertig, Lieferzeit** 1-3 Werktage
Dieser Artikel ist gestrichen und kann nicht mehr bestellt werden!
Sofort versandfertig, Lieferzeit** 1-3 Werktage