Johnny Otis Show Vintage 1950s Broadcasts From Los Angeles
- Artikel-Nr.: CDCHD981
- Gewicht in Kg.: 0.107
Johnny Otis Show: Vintage 1950s Broadcasts From Los Angeles
Artikeleigenschaften von Johnny Otis Show: Vintage 1950s Broadcasts From Los Angeles
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Interpret: Johnny Otis Show
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Albumtitel: Vintage 1950s Broadcasts From Los Angeles
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Genre R&B, Soul
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Label Ace Records
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Artikelart CD
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EAN: 0029667198127
- Gewicht in Kg: 0.107
Otis Show, Johnny - Vintage 1950s Broadcasts From Los Angeles CD 1 | ||||
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01 | Signature Tune | OTIS, Johnny |
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02 | Bump On A Log | REED, Lula |
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03 | Le Coiffeur ad | Johnny Otis Show |
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04 | I'm Gonna Move To The Outskirts Of Town | DOMINOES |
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05 | Charles Ltd ad/ Outro | Johnny Otis Show |
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06 | KTLA - TV Intro/Salt (instrumental) | JOHNNY OTIS BAND |
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07 | Metropolitan Ford ad | Johnny Otis Show |
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08 | Sweet Love | PENGUINS |
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09 | Willie & The Hand Jive | OTIS, Johnny |
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10 | El Monte/Laguna Park ad | Johnny Otis Show |
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11 | Write Me A Letter | ADAMS, Marie |
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12 | Medley: Harlem Nocturne/Bye Bye Baby (Until | JOHNNY OTIS BAND |
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13 | We Meet Again) | Johnny Otis Show |
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14 | House Party PA | Johnny Otis Show |
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15 | One O'Clock Jump (instrumental) | JOHNNY OTIS BAND |
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16 | Mama He Treats Your Daughter Mean | ADAMS, Marie |
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17 | Midnight At The Barrelhouse (instrumental) | JOHNNY OTIS BAND |
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18 | All Night Long | JOHNNY OTIS BAND |
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19 | I Don't Know | LITTLE ARTHUR MATTHEWS |
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20 | Baby Don't Do It | ADAMS, Marie |
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21 | Outro (instrumental) | JOHNNY OTIS BAND |
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22 | New Johnny Otis Show spot | Johnny Otis Show |
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23 | Tough Enough | JOHNNY OTIS & THE JAYOS |
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24 | Jungle Hop | KIP TYLER & THE FLIPS |
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25 | Justine | DON & DEWEY |
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26 | Slim Gaillard/Kingfish skit | Johnny Otis Show |
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27 | Thunderbird Club/Duttons Records ads | Johnny Otis Show |
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28 | Dirty Dishes | MACK, Jeani |
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29 | Not Too Young | MERMAIDS |
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30 | Sulphur 8 ad | Johnny Otis Show |
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31 | The Dummy | WILLIAMS, Larry |
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The Johnny Otis Show
Willie And The Handjive
The Johnny Otis Show
Willie And The Handjive
We last encountered Johnny Otis as a front man in 1951, although his presence was felt in later volumes as an arranger, producer, and sideman. This was Otis’ only pop hit of any consequence in the United States, and it was, of course, a kinder, gentler version of the Bo Diddley ‘shave-and-a-haircut-two-bits’ rhythm. After signing with Capitol, Otis scored a huge hit in England with a revival of Ma, He’s Making Eyes At Me, and came over to discuss the possibility of touring. The British musicians union nixed the idea of a tour, but Otis saw kids doing a hand jive on the BBC’s ‘Six-Five Special.’ Back in the States, Otis wrote this tune with the overseas market in mind, but it became a Top 10 pop hit in the United States while faring poorly overseas.
When some accused him of plagiarizing Bo Diddley, Otis insisted that he’d heard Count Otis Matthews and his West Oakland Houserockers play the Diddley beat when he worked with them circa 1939 (and who, at this point, can disprove him?) Later, Otis cast himself in the role of musicologist, saying, “I was down South, after I’d had a few hit records, and I saw a chain gang… Their long metal hammers would go chungy-chungy-chung-chung. The next time I heard that beat, it was on a Red Saunders’ record called ‘Hambone.’ All that predates me and Bo. One day Bo was at my house (we both raised chickens and ducks and I was giving him some) when he said to me, ‘Motherfucker, what are you doing takin’ my song?’ He said it half-jokingly. I said, ‘You ever heard “Hambone”?’ And he said, ‘Shhhh.’”
Its origins notwithstanding, Otis’ record has survived in part because of Jimmy Nolen’s beautifully economical guitar. Nolen would go on to more or less invent funk guitar with James Brown. Willie And The Hand Jive charted again in 1966 for the Strangeloves, in the 1974 for Eric Clapton, and in the 1985 for George Thorogood.
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