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The Pointer Sisters I'm So Exited - the Very Best Of The Pointer Sisters (CD)

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  • CD527682
  • 0.1
(BMG UK) 16 Tracks mehr

The Pointer Sisters: I'm So Exited - the Very Best Of The Pointer Sisters (CD)

(BMG UK) 16 Tracks

Artikeleigenschaften von The Pointer Sisters: I'm So Exited - the Very Best Of The Pointer Sisters (CD)

  • Interpret: The Pointer Sisters

  • Albumtitel: I'm So Exited - the Very Best Of The Pointer Sisters (CD)

  • Genre Pop

  • Label BMG UK

  • Artikelart CD

  • EAN: 0828765276825

  • Gewicht in Kg: 0.1
Pointer Sisters - I'm So Exited - the Very Best Of The Pointer Sisters (CD) CD 1
01 Automatic The Pointer Sisters
02 Neutron Dance The Pointer Sisters
03 I'm So Excited The Pointer Sisters
04 Slow Hand The Pointer Sisters
05 Jump (For My Love) The Pointer Sisters
06 Heart Beat The Pointer Sisters
07 Someday We'll Be Together The Pointer Sisters
08 Dare Me The Pointer Sisters
09 Should I Do It? The Pointer Sisters
10 I Need You The Pointer Sisters
11 I Feel For You The Pointer Sisters
12 American Music The Pointer Sisters
13 Baby Come And Get It The Pointer Sisters
14 Heart To Heart The Pointer Sisters
15 Goldmine The Pointer Sisters
16 See How The Love Goes The Pointer Sisters
17 Everybody Is A Star The Pointer Sisters
18 Fire The Pointer Sisters
The Pointer Sisters Yes We Can Can The Pointer Sisters Yes We Can Can Impossible... mehr
"The Pointer Sisters"

The Pointer Sisters

Yes We Can Can

The Pointer Sisters

Yes We Can Can

Impossible to pigeonhole, The Pointer Sisters blended R&B, jazz, rock, and country into a singular hybrid, their funky ‘30s/‘40s-derived fashion sense as refreshing as their sound. The family’s gospel roots came naturally; their father pastored a church in Oakland, California. Ruth (born March 19, 1946), Anita (January 23, 1948), Bonnie (July 11, 1950), and June (November 30, 1953) came together a little at a time. First Bonnie and June worked as a duo, then Anita joined them.

The trio sang backgrounds for Taj Mahal and Elvin Bishop while under the aegis of impresario Bill Graham and made two 1971-72 singles for Atlantic (Don’t Try To Take The Fifth and Destination No More Heartaches) with producer Wardell Quezergue at Malaco Studios in Jackson, Mississippi. Precious few noticed. Ruth made it a full complement of Pointers in the family act before 1972 was through.

Producer David Rubinson, who’d worked with the Pointers when he ran Graham’s labels, introduced the Pointers to the sublime joys of jazz vocalists Lambert, Hendricks & Ross, Eddie Jefferson, and King Pleasure. Those influences were emphasized on their eponymous 1973 debut album for Blue Thumb Records, though their first single from the set was a funky redo of the Allen Toussaint-penned Yes We Can Can, a 1970 hit for New Orleans mainstay Lee Dorsey on Polydor. Its message of brotherhood resonated anew equally with pop (#11) and R&B (#12) audiences during the fall of ‘73, establishing the Pointers as a force to be reckoned with even if they steadfastly defied convenient categorization.

After a revival of Willie Dixon’s party anthem Wang Dang Doodle did some business for the Pointers at year’s end, the quartet took a temporary right turn into country music with Bonnie and Anita’s Fairytale, which made a #13 pop showing in ’74. One thing was for certain: The Pointer Sisters were anything but predictable.

- Bill Dahl -


Various - Sweet Soul Music 23 Scorching Classics From 1973

Read more at: https://www.bear-family.de/various-sweet-soul-music-23-scorching-classics-from-1973.html
Copyright © Bear Family Records

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