The Supremes Meet The Supremes...plus (2-CD, Ltd.)

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Gewicht in Kg.: 0.13

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(Hip-O-Select) 49 tracks 1962-65 digipac. mehr

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The Supremes: Meet The Supremes...plus (2-CD, Ltd.)

(Hip-O-Select) 49 tracks 1962-65 digipac.

Artikeleigenschaften von The Supremes: Meet The Supremes...plus (2-CD, Ltd.)

Interpret: The Supremes
Albumtitel: Meet The Supremes...plus (2-CD, Ltd.)
Label HIP-O SELECT
Genre R&B, Soul
Artikelart CD
EAN: 0602527272542
Gewicht in Kg: 0.13

Ross, Diana & The Supremes - Meet The Supremes...plus (2-CD, Ltd.) CD 1
01	Your Heart Belongs To Me	The Supremes
02	Who's Lovin' You	The Supremes
03	Baby Don't Go	The Supremes
04	Buttered Popcorn	The Supremes
05	I Want A Guy	The Supremes
06	Let Me Go The Right Way	The Supremes
07	You Bring Back Memories	The Supremes
08	Time Changes Things	The Supremes
09	Play A Sad Song	The Supremes
10	Never Again	The Supremes
11	He's Seventeen	The Supremes
12	Your Heart Belongs To Me	The Supremes
13	Who's Lovin' You	The Supremes
14	Baby Don't Go	The Supremes
15	Buttered Popcorn	The Supremes
16	I Want A Guy	The Supremes
17	Let Me Go The Right Way	The Supremes
18	You Bring Back Memories	The Supremes
19	Time Changes Things	The Supremes
20	Play A Sad Song	The Supremes
21	Never Again	The Supremes
22	He's Seventeen	The Supremes
23	Your Heart Belongs To Me	The Supremes
24	I Want A Guy	The Supremes
25	Time Changes Things	The Supremes
26	Let Me Go The Right Way	The Supremes

Ross, Diana & The Supremes - Meet The Supremes...plus (2-CD, Ltd.) CD 2
01	After All (Stereo Mix)	The Supremes
02	You Can Depend On Me (Version 2)	The Supremes
03	The Boy That Got Away (Alternate Mix)	The Supremes
04	Hey Baby (Version 2)	The Supremes
05	Too Hot (Version 2)	The Supremes
06	Buttered Popcorn (Version 3)	The Supremes
07	Buttered Popcorn (Version 4)	The Supremes
08	I Want A Guy (Version 1)	The Supremes
09	Who's Lovin' You (Stereo Mix Of Mono Vocal)	The Supremes
10	Because I Love Him (Version 2)	The Supremes
11	Save Me A Star (Stereo Mix)	The Supremes
12	Heavenly Father (Stereo Mix)	The Supremes
13	Those DJ Shows (Stereo Mix)	The Supremes
14	The Tears (Stereo Mix)	The Supremes
15	Your Heart Belongs To Me (Version 1)	The Supremes
16	I'm Giving You Your Freedom (Alternate Mix)	The Supremes
17	Run, Run, Run (live)	The Supremes
18	Standing At The Crossroads Of Love (live)	The Supremes
19	Anyone Who Had A Heart (live)	The Supremes
20	Time Changes Things (live)	The Supremes
21	Make Someone Happy (live)	The Supremes
22	Let Me Go The Right Way (live)	The Supremes
23	When The Lovelight Starts Shining Through...	The Supremes

The Supremes Where Did Our Love Go The Supremes Where Did Our Love Go ... mehr

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"The Supremes"

The Supremes

Where Did Our Love Go

The Supremes

Where Did Our Love Go

Wags around Hitsville U.S.A. had sarcastically labeled Diana Ross's group the "no-hit" Supremes early in their Motown tenure, but that was before Berry Gordy sagely handed their artistic direction to Brian Holland, Lamont Dozier, and Eddie Holland. Soon enough, the Supremes were the top female vocal group in the country.

Fronted by Diana Ross (born March 26, 1944 on Detroit's East Side), the Supremes started out as the Primettes with Florence Ballard their main lead singer. The Primettes waxed their only single in 1960 for Robert West's LuPine label, Tears Of Sorrow featuring Ross while the flip, Pretty Baby, cast Mary Wilson as lead. In '61, they signed with Motown, choosing their name from a list supplied by Ballard and debuting with I Want A Guy. But only Your Heart Belongs To Me, Let Me Go The Right Way, and A Breath Taking Guy nicked the pop charts prior to H-D-H handing them the Spectoresque anthem When The Lovelight Starts Shining Through His Eyes, a sizable pop seller in 1963.

Where Did Our Love Go had been shunned by Gladys Horton, lead singer of the Marvelettes. "When the track was cut, I called her back and she just said out and out, she said, 'I don't like that!'" says Dozier. The Supremes weren't too thrilled with it either. "That was one that for us didn't sound like one, didn't feel like one that we thought it should feel like," says Mary. "My brother wanted Mary Wilson to sing that song first. And what had happened was, Lamont and I disagreed," says Brian Holland. "Lamont and I won out."

Dozier was determined to change Ross's vocal sound. "I hated her voice up in the sky like that on a lot of those songs," he says. "It was whiny to me. It didn't have enough substance. So this particular song was in Gladys Horton's key, 'cause that's how I envisioned it. It was low and sexy, like a Julie London or something kind of voice, foggy. So we tried that approach with Diana, bringing her off of those high notes and high keys that she sang in, and bring her down to this little sultry thing." Two other key ingredients: the relentless footstomps of Mike Valvano, whose Mike & the Modifiers briefly cut for Motown, and Mike Terry's burbling baritone sax,

a recurring motif on future triumphs by the lovely trio. Where Did Our Love Go topped the pop and R&B charts as the Supremes commenced their march to superstardom.

- Bill Dahl -

Various - Sweet Soul Music

31 Scorching Classics From 1964

Read more at: https://www.bear-family.de/various-sweet-soul-music-31-scorching-classics-from-1964.html
Copyright © Bear Family Records

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