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The Supremes More Hits By (1965)...plus (2-CD) Limited Ed.

More Hits By (1965)...plus (2-CD) Limited Ed.
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  • CD1621002
  • 0.17
(2011/MOTOWN/HIP-O) 52 tracks - gatefold digipac with two booklets. Limited Edition.mehr

The Supremes: More Hits By (1965)...plus (2-CD) Limited Ed.

(2011/MOTOWN/HIP-O) 52 tracks - gatefold digipac with two booklets. Limited Edition.

Artikeleigenschaften vonThe Supremes: More Hits By (1965)...plus (2-CD) Limited Ed.

  • Interpret: The Supremes

  • Albumtitel: More Hits By (1965)...plus (2-CD) Limited Ed.

  • Label HIP-O SELECT

  • Genre R&B, Soul

  • Artikelart CD

  • EAN: 0602527843520

  • Gewicht in Kg: 0.17
Ross, Diana & The Supremes - More Hits By (1965)...plus (2-CD) Limited Ed. CD 1
01Ask Any GirlThe Supremes
02Nothing But HeartachesThe Supremes
03Stop! In The Name Of LoveThe Supremes
04Honey BoyThe Supremes
05Back In My Arms AgainThe Supremes
06Whisper You Love Me BoyThe Supremes
07The Only Time I'm HappyThe Supremes
08The Holds His OwnThe Supremes
09Who Could Ever Doubt My LoveThe Supremes
10(I'm So Glad) Heartaches Don't Last AlwaysThe Supremes
11I'm In Love AgainThe Supremes
12Ask Any Girl (Stereo)The Supremes
13Nothing But Heartaches (Stereo)The Supremes
14Mother Dear (Stereo)The Supremes
15Stop! In The Name Of Love (Stereo)The Supremes
16Honey Boy (Stereo)The Supremes
17Back In My Arms Again (Stereo)The Supremes
18Whisper You Love Me Boy (Stereo)The Supremes
19The Only Time I'm Happy (Stereo)The Supremes
20He Holds His Own (Stereo)The Supremes
21Who Could Ever Doubt My Love (Stereo)The Supremes
22(I'm So Glad) Heartaches Don't Last Always (SThe Supremes
23I'm In Love Again (Stereo)The Supremes
24Bonus Tracks:The Supremes
25Coca-Cola Commercials (Stereo Mixes)The Supremes
26Supremes Interview (Alternative Version)The Supremes
Ross, Diana & The Supremes - More Hits By (1965)...plus (2-CD) Limited Ed. CD 2
01Baby Love (Live At The Fox)The Supremes
02Where Did Our Love Go (Live At The Fox)The Supremes
03Come See About Me (Live At The Fox)The Supremes
04Come Into My PalaceThe Supremes
05Oowee BabyThe Supremes
06Surfer BoyThe Supremes
07Beach BallThe Supremes
08Stop! In The Name Of Love (Version 1)The Supremes
09Take Me Where You Go (Version 1 without ...)The Supremes
10Back In My Arms Again (Alternate Vocal)The Supremes
11Too Hurt To Cry, Too In Love To Say GoodbyeThe Supremes
12Whisper You Love Me Boy (Alternate Vocal)The Supremes
13Nothing But Heartaches (Alternate Vocal)The Supremes
14It's All Your Fault (Version 2)The Supremes
15Mother Dear (Version 2)The Supremes
16Too Much A Little Too SoonThe Supremes
17He Holds His Own (Alternate Vocal)The Supremes
18Moonlight And KissesThe Supremes
19Babym Baby, wo ist unsere Liebe (Where Did ..The Supremes
20Thank You Darling, Thank You BabyThe Supremes
21Jonny und Joe (Come See About Me)The Supremes
22Stop! In The Name Of Love (Live In Paris)The Supremes
23Baby Love (Live In Paris)The Supremes
24Somewhere (Live In Paris)The Supremes
25You're Nobody 'til Somebody Loves You (Live..The Supremes
26Shake (Live In Paris)The Supremes
The Supremes Where Did Our Love Go The Supremes Where Did Our Love Go  ... mehr
"The Supremes"

The Supremes

Where Did Our Love Go

The Supremes

Where Did Our Love Go

 

Wags around Hitsville U.S.A. had sarcastically labeled Diana Ross's group the "no-hit" Supremes early in their Motown tenure, but that was before Berry Gordy sagely handed their artistic direction to Brian Holland, Lamont Dozier, and Eddie Holland. Soon enough, the Supremes were the top female vocal group in the country.

Fronted by Diana Ross (born March 26, 1944 on Detroit's East Side), the Supremes started out as the Primettes with Florence Ballard their main lead singer. The Primettes waxed their only single in 1960 for Robert West's LuPine label, Tears Of Sorrow featuring Ross while the flip, Pretty Baby, cast Mary Wilson as lead. In '61, they signed with Motown, choosing their name from a list supplied by Ballard and debuting with I Want A Guy. But only Your Heart Belongs To Me, Let Me Go The Right Way, and A Breath Taking Guy nicked the pop charts prior to H-D-H handing them the Spectoresque anthem When The Lovelight Starts Shining Through His Eyes, a sizable pop seller in 1963.

Where Did Our Love Go had been shunned by Gladys Horton, lead singer of the Marvelettes. "When the track was cut, I called her back and she just said out and out, she said, 'I don't like that!'" says Dozier. The Supremes weren't too thrilled with it either. "That was one that for us didn't sound like one, didn't feel like one that we thought it should feel like," says Mary. "My brother wanted Mary Wilson to sing that song first. And what had happened was, Lamont and I disagreed," says Brian Holland. "Lamont and I won out."

Dozier was determined to change Ross's vocal sound. "I hated her voice up in the sky like that on a lot of those songs," he says. "It was whiny to me. It didn't have enough substance. So this particular song was in Gladys Horton's key, 'cause that's how I envisioned it. It was low and sexy, like a Julie London or something kind of voice, foggy. So we tried that approach with Diana, bringing her off of those high notes and high keys that she sang in, and bring her down to this little sultry thing." Two other key ingredients: the relentless footstomps of Mike Valvano, whose Mike & the Modifiers briefly cut for Motown, and Mike Terry's burbling baritone sax,

a recurring motif on future triumphs by the lovely trio. Where Did Our Love Go topped the pop and R&B charts as the Supremes commenced their march to superstardom.

- Bill Dahl -

Various - Sweet Soul Music

31 Scorching Classics From 1964

Read more at: https://www.bear-family.de/various-sweet-soul-music-31-scorching-classics-from-1964.html
Copyright © Bear Family Records

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