Diana Ross & The Supremes Supreme Rarities - Motown Lost & Found (4-LP Box)
- Artikel-Nr.: LPTMR307
- Gewicht in Kg.: 0.11
Diana Ross & The Supremes: Supreme Rarities - Motown Lost & Found (4-LP Box)
Artikeleigenschaften von Diana Ross & The Supremes: Supreme Rarities - Motown Lost & Found (4-LP Box)
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Interpret: Diana Ross & The Supremes
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Albumtitel: Supreme Rarities - Motown Lost & Found (4-LP Box)
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Genre R&B, Soul
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Label Universal Music
- Geschwindigkeit 33 U/min
- Plattengröße LP (12 Inch)
- Record Grading Mint (M)
- Sleeve Grading Mint (M)
- Edition 2 Deluxe Edition
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Artikelart LP Box
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EAN: 0813547025883
- Gewicht in Kg: 0.11
| Ross, Diana & The Supremes - Supreme Rarities - Motown Lost & Found (4-LP Box) LP Box 1 | ||||
|---|---|---|---|---|
| 01 | You Can Depend On Me | Diana Ross & The Supremes | ||
| 02 | Tears Of Sorrow (Motown Version) | Diana Ross & The Supremes | ||
| 03 | Because I Love Him | Diana Ross & The Supremes | ||
| 04 | Hey Baby (Version 1) | Diana Ross & The Supremes | ||
| 05 | Too Hot (Version 4) | Diana Ross & The Supremes | ||
| 06 | You're Gonna Come To Me (Version 1) | Diana Ross & The Supremes | ||
| 07 | You're Gonna Come To Me (Version 2) | Diana Ross & The Supremes | ||
| 08 | It Makes No Difference Now (Alternate Version) | Diana Ross & The Supremes | ||
| 09 | Come On Boy (Alternate Version) | Diana Ross & The Supremes | ||
| 10 | Just Call Me (Stereo Mix) | Diana Ross & The Supremes | ||
| 11 | I Saw Him Standing There | Diana Ross & The Supremes | ||
| 12 | Not Fade Away | Diana Ross & The Supremes | ||
| 13 | Ooowee Baby (Alternate Mix) | Diana Ross & The Supremes | ||
| Ross, Diana & The Supremes - Supreme Rarities - Motown Lost & Found (4-LP Box) LP Box 2 | ||||
|---|---|---|---|---|
| 01 | It's All Your Fault (Version 1) | Diana Ross & The Supremes | ||
| 02 | Hits Medley: Come See About Me-Baby Love-Stop! In The Name Of Love | Diana Ross & The Supremes | ||
| 03 | Cupid (Alternate Extended Mix) | Diana Ross & The Supremes | ||
| 04 | Take Me Where You Go (Version 3) | Diana Ross & The Supremes | ||
| 05 | Back In My Arms Again (Alternate Vocal) | Diana Ross & The Supremes | ||
| 06 | You Can't Hurry Love (Alternate Vocal) | Diana Ross & The Supremes | ||
| 07 | Mickey's Monkey | Diana Ross & The Supremes | ||
| 08 | Uptight (Everything's Alright) (Alternate Vocal) | Diana Ross & The Supremes | ||
| 09 | It's Not Unusual | Diana Ross & The Supremes | ||
| 10 | (I Can't Get No) Satisfaction | Diana Ross & The Supremes | ||
| 11 | Come And Get These Memories (Alternate Mix) | Diana Ross & The Supremes | ||
| 12 | I Can't Help Myself (Sugar Pie, Honey Bunch) (Alternate Mix) | Diana Ross & The Supremes | ||
| 13 | Let The Music Play (Alternate Vocal) | Diana Ross & The Supremes | ||
| Ross, Diana & The Supremes - Supreme Rarities - Motown Lost & Found (4-LP Box) LP Box 3 | ||||
|---|---|---|---|---|
| 01 | Don't Let True Love Die (Extended Version) | Diana Ross & The Supremes | ||
| 02 | What A Friend We Have In Jesus | Diana Ross & The Supremes | ||
| 03 | Every Time I Feel The Spirit | Diana Ross & The Supremes | ||
| 04 | Believe In Me | Diana Ross & The Supremes | ||
| 05 | The Beginning Of The End Of Love (Stereo Mix) | Diana Ross & The Supremes | ||
| 06 | People (Unedited Version) | Diana Ross & The Supremes | ||
| 07 | Over The Rainbow | Diana Ross & The Supremes | ||
| 08 | Wish I Knew | Diana Ross & The Supremes | ||
| 09 | I Can't Give Back The Love I Feel For You | Diana Ross & The Supremes | ||
| 10 | I'll Set You Free (Alternate Vocal) | Diana Ross & The Supremes | ||
| 11 | Ain't No Sun Since You've Been Gone | Diana Ross & The Supremes | ||
| 12 | In The Evening Of Our Love | Diana Ross & The Supremes | ||
| Ross, Diana & The Supremes - Supreme Rarities - Motown Lost & Found (4-LP Box) LP Box 4 | ||||
|---|---|---|---|---|
| 01 | Love Child (Alternate Vocal) | Diana Ross & The Supremes | ||
| 02 | Those Precious Memories | Diana Ross & The Supremes | ||
| 03 | I'm Livin' In Shame (Version 1) | Diana Ross & The Supremes | ||
| 04 | MacArthur Park | Diana Ross & The Supremes | ||
| 05 | You're Gonna Hear From Me | Diana Ross & The Supremes | ||
| 06 | Canadian Sunset | Diana Ross & The Supremes | ||
| 07 | Autumn Leaves | Diana Ross & The Supremes | ||
| 08 | The Look Of Love | Diana Ross & The Supremes | ||
| 09 | Someday We'll Be Together (Alternate Vocal) | Diana Ross & The Supremes | ||
| 10 | Scott Regan Radio Promos | Diana Ross & The Supremes | ||
The Supremes
Where Did Our Love Go
The Supremes
Where Did Our Love Go
Wags around Hitsville U.S.A. had sarcastically labeled Diana Ross's group the "no-hit" Supremes early in their Motown tenure, but that was before Berry Gordy sagely handed their artistic direction to Brian Holland, Lamont Dozier, and Eddie Holland. Soon enough, the Supremes were the top female vocal group in the country.
Fronted by Diana Ross (born March 26, 1944 on Detroit's East Side), the Supremes started out as the Primettes with Florence Ballard their main lead singer. The Primettes waxed their only single in 1960 for Robert West's LuPine label, Tears Of Sorrow featuring Ross while the flip, Pretty Baby, cast Mary Wilson as lead. In '61, they signed with Motown, choosing their name from a list supplied by Ballard and debuting with I Want A Guy. But only Your Heart Belongs To Me, Let Me Go The Right Way, and A Breath Taking Guy nicked the pop charts prior to H-D-H handing them the Spectoresque anthem When The Lovelight Starts Shining Through His Eyes, a sizable pop seller in 1963.
Where Did Our Love Go had been shunned by Gladys Horton, lead singer of the Marvelettes. "When the track was cut, I called her back and she just said out and out, she said, 'I don't like that!'" says Dozier. The Supremes weren't too thrilled with it either. "That was one that for us didn't sound like one, didn't feel like one that we thought it should feel like," says Mary. "My brother wanted Mary Wilson to sing that song first. And what had happened was, Lamont and I disagreed," says Brian Holland. "Lamont and I won out."
Dozier was determined to change Ross's vocal sound. "I hated her voice up in the sky like that on a lot of those songs," he says. "It was whiny to me. It didn't have enough substance. So this particular song was in Gladys Horton's key, 'cause that's how I envisioned it. It was low and sexy, like a Julie London or something kind of voice, foggy. So we tried that approach with Diana, bringing her off of those high notes and high keys that she sang in, and bring her down to this little sultry thing." Two other key ingredients: the relentless footstomps of Mike Valvano, whose Mike & the Modifiers briefly cut for Motown, and Mike Terry's burbling baritone sax,
a recurring motif on future triumphs by the lovely trio. Where Did Our Love Go topped the pop and R&B charts as the Supremes commenced their march to superstardom.
- Bill Dahl -
Various - Sweet Soul Music
31 Scorching Classics From 1964
Read more at: https://www.bear-family.de/various-sweet-soul-music-31-scorching-classics-from-1964.html
Copyright © Bear Family Records
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