Ray Scott Billboards & Brake Lights (CD)

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(Ray Scott) 13 tracks, digipack Ray Scott, der unabhängige Country-Künstler mit "einer... mehr

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Ray Scott: Billboards & Brake Lights (CD)

(Ray Scott) 13 tracks, digipack

Ray Scott, der unabhängige Country-Künstler mit "einer unergründlich tiefen Gesangsstimme und bösem Songwriter-Witz" (Rolling Stone), veröffentlicht am 10. November sein 11. Studioalbum Billboards & Brake Lights.

Billboards & Brake Lights wurde von Jim "Moose" Brown produziert und enthält eine Reihe von musikalischen Größen, darunter die dreimalige CMA-Musikerin des Jahres Jenee Fleenor an Geige und Mandoline und das Musicians Hall of Fame-Mitglied (und 14-maliger ACM-Schlagzeuger des Jahres) Eddie Bayers, zusammen mit Scotts "sorgfältig ausgearbeiteten, bergmännischen Texten und Geschichten, die zu seinem erstklassigen Gesang passen" (Billboard).

Billboards & Brake Lights ist das zweite Album des aus North Carolina stammenden Musikers in diesem Jahr, nach Wrong Songs: Musings From The Shallow End (3.31) - einer satirischen Sammlung von respektlosen, energiegeladenen Honky-Tonk-Songs.

Artikeleigenschaften von Ray Scott: Billboards & Brake Lights (CD)

Interpret: Ray Scott
Albumtitel: Billboards & Brake Lights (CD)
Genre Country
Label self published
Artikelart CD
EAN: 0711709664317
Gewicht in Kg: 0.06

Scott, Ray - Billboards & Brake Lights (CD) CD 1
01	Ripples	Ray Scott
02	Long Black Cadillac	Ray Scott
03	Old Roads And Old Friends	Ray Scott
04	I Fall In Love With You Again	Ray Scott
05	Hey Fool	Ray Scott
06	Keeper	Ray Scott
07	Billboards And Brake Lights	Ray Scott
08	Better Than This	Ray Scott
09	Loner	Ray Scott
10	Heartache	Ray Scott
11	You Wouldnt Know It Now	Ray Scott
12	Superman	Ray Scott
13	I’ll See You Again	Ray Scott

RAY SCOTT I'm Gonna Make You Love Me (previously unissued) Tonight Will Be The Last Night... mehr

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"Ray Scott"

RAY SCOTT

I'm Gonna Make You Love Me (previously unissued) Tonight Will Be The Last Night (previously unissued)

Memphis singer/songwriter Ray Scott is assured of eternal recognition in the rockabilly Hall of Fame as the composer of Billy Riley's Flyin' Saucers Rock 'n' Roll. He also saw his name on several small Memphis labels, including an early Satellite (soon to become Stax) release, and composed one side of Thomas Wayne's first Fernwood record - the rocker You're The One That Done It.

As these two demos reveal, however, Scott's heart was a lot closer to the country side of rockabilly. On these sides, which have remained unissued in the Sun Vault for 45 years, we have the original demo of Tonight Will Be The Last Night, a song he managed to place with Warren Smith. Smith's version, cut in 1956, remained unissued until the golden era of rockabilly archaeology in the 1970s. I'm Gonna Make You Love Me fared less well and has remained unrecorded (by others) and unreleased until now.

It's a stone country song in a style that would have been at home on a Hank Williams session, but also features the kind of rhythmic energy that pointed the way to rockabilly. The melody is quite catchy but the song is undercut by some awkward rhymes. Scott paints himself into a lyrical corner when he chooses to use "hug my neck" as a payoff line for "bottom of the deck." Material like this, despite all its rural charm, was not going to thrive in the country or rockabilly marketplace in 1956. If anyone could get away with such hackneyed rhymes it was Elvis, which is precisely what the King did two years hence. "Won't you wear my ring / around your neck / to show the world / I'm yours by heck."

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