Ray Scott Cover The Earth (CD)

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Artikel-Nr.: CD6106099
Gewicht in Kg.: 0.1

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(Jethropolitan Records) 12 tracks, digipack Auf seinem 12-Track-Werk ist Scotts Songwriting... mehr

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Ray Scott: Cover The Earth (CD)

(Jethropolitan Records) 12 tracks, digipack

Auf seinem 12-Track-Werk ist Scotts Songwriting sorgfältig ausgearbeitet, mit Texten und Geschichten, die zu seinem erstklassigen Gesang passen... eine Stimme, so weich und robust wie feines Leder. - BILLBOARD

Video von Ray Scott - Cover The Earth (CD)

Artikeleigenschaften von Ray Scott: Cover The Earth (CD)

Interpret: Ray Scott
Albumtitel: Cover The Earth (CD)
Genre Country
Artikelart CD
Label Jethropolitan Records
EAN: 2500006106099
Gewicht in Kg: 0.1

Scott, Ray - Cover The Earth (CD) CD 1
01	Cover The Earth	Ray Scott
02	Slow Dance	Ray Scott
03	As Long As The Bar’s Open	Ray Scott
04	Cold Day in Hell	Ray Scott
05	Valley Like This	Ray Scott
06	8 Ball	Ray Scott
07	Take A Drink	Ray Scott
08	Stoned	Ray Scott
09	Old Ways	Ray Scott
10	Old Memory	Ray Scott
11	Forgivin’ Him	Ray Scott
12	Smilin’ On My Way	Ray Scott

RAY SCOTT I'm Gonna Make You Love Me (previously unissued) Tonight Will Be The Last Night... mehr

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"Ray Scott"

RAY SCOTT

I'm Gonna Make You Love Me (previously unissued) Tonight Will Be The Last Night (previously unissued)

Memphis singer/songwriter Ray Scott is assured of eternal recognition in the rockabilly Hall of Fame as the composer of Billy Riley's Flyin' Saucers Rock 'n' Roll. He also saw his name on several small Memphis labels, including an early Satellite (soon to become Stax) release, and composed one side of Thomas Wayne's first Fernwood record - the rocker You're The One That Done It.

As these two demos reveal, however, Scott's heart was a lot closer to the country side of rockabilly. On these sides, which have remained unissued in the Sun Vault for 45 years, we have the original demo of Tonight Will Be The Last Night, a song he managed to place with Warren Smith. Smith's version, cut in 1956, remained unissued until the golden era of rockabilly archaeology in the 1970s. I'm Gonna Make You Love Me fared less well and has remained unrecorded (by others) and unreleased until now.

It's a stone country song in a style that would have been at home on a Hank Williams session, but also features the kind of rhythmic energy that pointed the way to rockabilly. The melody is quite catchy but the song is undercut by some awkward rhymes. Scott paints himself into a lyrical corner when he chooses to use "hug my neck" as a payoff line for "bottom of the deck." Material like this, despite all its rural charm, was not going to thrive in the country or rockabilly marketplace in 1956. If anyone could get away with such hackneyed rhymes it was Elvis, which is precisely what the King did two years hence. "Won't you wear my ring / around your neck / to show the world / I'm yours by heck."

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