Irma Thomas Full Time Woman - The Lost Cotillion Album (LP, colored Vinyl, Ltd.)
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- Artikel-Nr.:LPRGM1337
- Gewicht in Kg.: 0.25
Irma Thomas: Full Time Woman - The Lost Cotillion Album (LP, colored Vinyl, Ltd.)
Nach kurzer Zeit bei Chess Records nahm Irma für Canyon Records auf, bevor sie von dem berühmten Manager des Labels bei Atlantic Records unter Vertrag genommen wurde, Jerry Wexler. Eine erste Session im Jahr 1971 brachte eine Single hervor, Full Time Woman (produziert von der bekannten New Orleans-Musiklegende Wardell Quezergue), die nicht in die Charts kam, aber von Wexler 2007 in einem Interview als eine seiner absoluten Lieblingsaufnahmen bezeichnet wird.
Unerschrocken arrangierte Atlantic weitere Sessions für Irma in Detroit, Miami und Philadelphia im Laufe des Jahres 1972 - doch nichts von dem Material wurde bis zu einer CD-Sammlung aus dem Jahr 2014 veröffentlicht. Jetzt, rund 50 Jahre nach den ursprünglichen Aufnahmen, erscheint Full Time Woman: The Lost Cotillion Album alle Aufnahmen von Irma für Atlantic (unter ihrem Cotillion imprint) zum ersten Mal auf LP! Irma drückt Liedern wie dem Standard »Time After Time, Bobbie Gentrys 1969er Hit Fancy und Billy Walkers Country-Hit Tell Me Again, neben dem funkigen She's Taken My Part (die Kehrseite von Full Time Woman), und R & B-beeinflusstes Originalmaterial, darunter die Highlights Waiting For Someone, Our Love Don't Come Easy und zwei Philly-Soul-Stücke aus den frühen 70ern, No Name und Adam And Eve.
Es versteht sich von selbst, dass diese Veröffentlichung eine große Bereicherung für die Irma Thomas-Diskographie darstellt!
Video von Irma Thomas - Full Time Woman - The Lost Cotillion Album (LP, colored Vinyl, Ltd.)
Artikeleigenschaften vonIrma Thomas: Full Time Woman - The Lost Cotillion Album (LP, colored Vinyl, Ltd.)
Interpret: Irma Thomas
Albumtitel: Full Time Woman - The Lost Cotillion Album (LP, colored Vinyl, Ltd.)
Genre Blues
Label Real Gone Music
- Geschwindigkeit 33 U/min
- Plattengröße LP (12 Inch)
- Record Grading Mint (M)
- Sleeve Grading Mint (M)
- Vinyl weight 180g Vinyl
- Edition 2 Limited Edition
Artikelart LP
EAN: 0848064013372
- Gewicht in Kg: 0.25
Thomas, Irma - Full Time Woman - The Lost Cotillion Album (LP, colored Vinyl, Ltd.) LP 1 | ||||
---|---|---|---|---|
01 | Full time woman | Irma Thomas | ||
02 | All i wanna do is save you | Irma Thomas | ||
03 | She's taken my part | Irma Thomas | ||
04 | Shadow of the sun | Irma Thomas | ||
05 | Waiting for someone | Irma Thomas | ||
06 | Fancy | Irma Thomas | ||
07 | Time after time | Irma Thomas | ||
08 | Our love don't come that easy | Irma Thomas | ||
09 | Turn around and love you | Irma Thomas | ||
10 | Tell me again | Irma Thomas | ||
11 | Try to be thankful | Irma Thomas | ||
12 | Clock | Irma Thomas | ||
13 | Could it be differently | Irma Thomas | ||
14 | No name | Irma Thomas | ||
15 | Adam and eve | Irma Thomas |
Irma Thomas
Don’t Mess With My Man
Irma Thomas
Don’t Mess With My Man
This was the first the world heard of soul chanteuse Irma Thomas, and the song has become so popular that any female singer in any bar is still guaranteed a good response from it. Born Irma Lee in Pontachoula, Louisiana on February 18, 1941, she moved with her family to New Orleans three years later. “We lived in a rooming house near the Bell Motel on Melpomene Street,”she told Jeff Hannusch. “The lounge in the motel had a jukebox, and I’d sneak off and listen to it every chance I got.”Pregnant at 14, she married the father of her child, and then married Andrew Thomas, with whom she had two more kids.
Leaving the children with her mother, Irma began singing with Tommy Ridgely at the Pimlico Club. Ridgely introduced her to Joe Ruffino, owner of the Ric and Ron labels, and Irma auditioned for Ruffino in the back of his distributorship. Dorothy Labostrie, whom we last encountered cleaning up Little Richard’s Tutti Frutti,had written Don’t Mess With My Man. “That was a kind of bold song,”she said, “especially for 1959. I was looking for a young girl with a lot of spirit to sing it. Irma came along, and she had the voice.”Ruffino wanted to get it recorded right away. “The next day, we went to the studio,”Thomas told Hannusch. “I didn’t have enough sense to be scared.”Ruffino hired Eddie Bo as arranger, and cut the session at Cosimo Matassa’s studio. According to Labostrie, backing was provided by Edgar Blanchard’s Gondoliers.
Bo’s arrangement called for a brisk shuffle, and Irma sounds older than her years. The song became a local breakout and then a nationwide hit. Irma hit the road in a beat-up Mercury stationwagon. Even then, she found that the song evoked a potent response. It peaked at a rather lowly #22 on the R&B charts, but sold much better than that placing suggests. It also heralded a long, ongoing career.
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Copyright © Bear Family Records
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