Big Joe Turner The Boss Is Back (2-CD)
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- Artikel-Nr.:CDSBR7009
- Gewicht in Kg.: 0.1
Big Joe Turner: The Boss Is Back (2-CD)
Doc Pomus sagte, dass es den Rock and Roll ohne Big Joe Turner nicht gegeben hätte. In der Tat beherrschte Turner jedes Genre, einschließlich Blues, Jazz, R&B und Swing, und machte so den Weg frei für seine Uptempo-Partyhits. Aber täuschen Sie sich nicht: Der zeitlose Big Joe Turner ist größer als ein bestimmtes Genre, eine bestimmte Ära oder ein bestimmter Song. Auf CD-1 eins werden verschiedene unabhängige Single-Veröffentlichungen von 1950 bis 1980 vorgestellt. Seite zwei umfasst Live-Auftritte von 1958 bis 1985 - allesamt bisher unveröffentlichte Auftritte mit Eddie "Cleanhead" Vincent, Milt Buckner und Slim Slam.
Artikeleigenschaften vonBig Joe Turner: The Boss Is Back (2-CD)
Interpret: Big Joe Turner
Albumtitel: The Boss Is Back (2-CD)
Genre Jazz
Artikelart CD
Label Sunset Blvd Records
EAN: 0708535700920
- Gewicht in Kg: 0.1
Turner, Big Joe - The Boss Is Back (2-CD) CD 1 | ||||
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01 | Adam Bit The Apple | Big Joe Turner | ||
02 | Still In The Dark | Big Joe Turner | ||
03 | Life Is Like A Card Game | Big Joe Turner | ||
04 | I Want My Bay (When The Rooster Crows) | Big Joe Turner | ||
05 | Just A Travellin' Man | Big Joe Turner | ||
06 | Feeling' Happy | Big Joe Turner | ||
07 | Jumpin' At The Jubilee | Big Joe Turner | ||
08 | After A While You'll Be Sorry | Big Joe Turner | ||
09 | Around The Clock Part | Big Joe Turner | ||
10 | Christmas Date Boogie | Big Joe Turner | ||
11 | Tell Me Pretty Baby (How D'ya Want Your Rolling Done) | Big Joe Turner | ||
12 | Wine-O-Baby Boogie | Big Joe Turner | ||
13 | Baby, Won't You Marry Me | Big Joe Turner | ||
14 | Radar Blues | Big Joe Turner | ||
15 | Twenty-Nine Ways To Get To My Baby's Door | Big Joe Turner | ||
16 | Chains Of Love | Big Joe Turner | ||
17 | Wee Baby Blues | Big Joe Turner | ||
18 | You've Been Squeezin' My Lemons | Big Joe Turner |
Turner, Big Joe - The Boss Is Back (2-CD) CD 2 | ||||
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01 | Flip, flop & fly (los angeles '58) | Big Joe Turner | ||
02 | Three o'clock in the morning (los angeles '58) | Big Joe Turner | ||
03 | Cherry red (paris, '58) | Big Joe Turner | ||
04 | Feeling happy (berlin '66) | Big Joe Turner | ||
05 | I've been up on the mountain (atlanta '70) | Big Joe Turner | ||
06 | Honey hush (baden-baden, 70) | Big Joe Turner | ||
07 | Low down dog (baden-baden '70) | Big Joe Turner | ||
08 | Hide and seek blues (paris '71) | Big Joe Turner | ||
09 | I got a pocket full of pencils (paris '71) | Big Joe Turner | ||
10 | Love my baby (paris '71) | Big Joe Turner | ||
11 | Everyday i have the blues (paris '71) | Big Joe Turner | ||
12 | Corina, corina (paris '71) | Big Joe Turner | ||
13 | The chicken & the hawk (paris '71) | Big Joe Turner | ||
14 | Call the plumber (seattle '85) | Big Joe Turner | ||
15 | Sweet little angel (seattle '85) | Big Joe Turner | ||
16 | Kansas city (seattle '85) | Big Joe Turner |
Big Joe Turner
Tipping the scales in the vicinity of 300 pounds and well into his 40s when rock 'n' roll blasted into the mainstream consciousness during the mid-1950s, Big Joe Turner was probably the unlikeliest star of the idiom's primordial era. Elvis hadn't even made his debut on the planet yet when Big Joe's booming voice shook the walls of swinging Kansas City gin joints on a nightly basis. Roll 'Em Pete, Turner's 1938 boogie masterpiece with pianist Pete Johnson, anticipated the primal excitement of rock 'n' roll in its relentless rhythmic drive, and his horn-powered postwar jump blues helped lay the foundation for the musical revolution that would soon follow. Unlike many of his peers who sadly fell forgotten by the wayside upon rock 'n' roll's rise, Turner would actually profit from the shift in demographics.
When Big Joe stepped up to sing, trivialities like microphones were an unnecessary luxury. During his formative years in Kansas City, it was said with no small degree of reverence that he could belt the blues from clear across the street while his band kept right on rocking the house where he originally counted the song off without the outsized singer ever missing a beat. It didn't hurt that the functionally illiterate Turner stockpiled a seemingly infinite storehouse of blues lyrics in his head that could be plugged into any song at any tempo. Big Joe was never more devastating than when he stood like an immovable mountain in front of a roaring bank of horns and a storming rhythm section, swinging like crazy on an open-ended up-tempo cooker that drove dancers and listeners alike into a frenzy.
Kansas City's indigenous brand of blues differed considerably from the blues styles developed in other parts of the country in that many of its leading practitioners hailed from a strong jazz background. Another distinguishing factor was K.C.'s reliance on huge horn sections. The city boasted an incredible array of influential big bands led by titans such as Count Basie, Jay McShann, Benny Moten, and Andy Kirk that deftly blended swing and blues into one irresistibly appealing whole. That Big Joe was exposed early and often to such jumping fare no doubt played an incalculable part in his development.
Horns aside, all Turner really required for accompaniment was a masterful pianist. To that end, he partnered with Pete Johnson, one of the very best in town, early in his amazing career. Together they helped fuel a full-scale boogie-woogie craze when they took New York by storm in the late '30s. Johnson was no longer there to accompany Turner when the singer launched his second extended stint in the limelight during the early 1950s, but that unquenchable penchant for stomping boogies that he helped instill in his younger partner stuck with Big Joe like glue to the very end.
Born May 18, 1911 in Kansas City, Big Joe was perfectly situated to follow his life's destiny. Under the corrupt regime of politician 'Boss' Thomas Pendergast, the town's plethora of nightclubs stayed open around the clock, serving up booze and all-night jam sessions where local musicians honed their chops and visiting stars sat in to test themselves against K.C.'s finest. This was a thrilling scene where a young singer like Big Joe owning rafter-rattling pipes could quickly establish himself as a force to be reckoned with...
from BCD17215 - Big Joe Turner Big Joe Turner - Rocks
Read more at: https://www.bear-family.de/turner-big-joe-big-joe-turner-rocks.html
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