Ike & Tina Turner Nutbush City Limits (CD)

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(Disky) 18 tracks mehr

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Ike & Tina Turner: Nutbush City Limits (CD)

(Disky) 18 tracks

Artikeleigenschaften von Ike & Tina Turner: Nutbush City Limits (CD)

Interpret: Ike & Tina Turner
Albumtitel: Nutbush City Limits (CD)
Genre R&B, Soul
Label Disky
Artikelart CD
EAN: 0724348656926
Gewicht in Kg: 0.1

Turner, Ike & Tina - Nutbush City Limits (CD) CD 1
01	Proud Mary	Ike & Tina Turner
02	Nutbush City Limits	Ike & Tina Turner
03	Get Back	Ike & Tina Turner
04	Honky Tonk Woman	Ike & Tina Turner
05	Living For The City	Ike & Tina Turner
06	I Want To Take You Higher	Ike & Tina Turner
07	Come Together	Ike & Tina Turner
08	Higher Ground	Ike & Tina Turner
09	Workin' Together	Ike & Tina Turner
10	Sexy Ida (Part 1)	Ike & Tina Turner
11	I Idolize You	Ike & Tina Turner
12	Drift Away	Ike & Tina Turner
13	Sweet Rhode Island Red	Ike & Tina Turner
14	Early In The Morning	Ike & Tina Turner
15	I'm Yours (Use Me Anyway You Wanna)	Ike & Tina Turner
16	A Love Like Yours	Ike & Tina Turner
17	I Heard It Through The Grapevine (Live)	Ike & Tina Turner
18	I'Ve Been Loving You Too Long	Ike & Tina Turner

Ike & Tina Turner A Fool In Love Ike & Tina Turner A Fool In Love Ike... mehr

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"Ike & Tina Turner"

Ike & Tina Turner

A Fool In Love

Ike & Tina Turner

A Fool In Love

Ike Turner had worked in Clarksdale, Mississippi, he’d worked in Memphis, and he’d relocated to St. Louis. We first encountered him as the bandleader on Jackie Brenston’s epochal Rocket 88 (see our ‘1951’ volume), and ten years later he was still fronting one the hottest live R&B combos, but things were fairly lean on the record scene. He had a new lady in his life, though.

Annie Mae Bullock, whom he named Tina after a movie jungle goddess, was from Nutbush, Tennessee, and bore him a child. Initially, though, he didn’t see her as the band’s vocalist. “I wrote ‘A Fool In Love’ for Art Lassiter," Turner recalls. "Tina was there as I was writing it. And this guy [Lassiter], he was going to beat me out of some money. He borrowed, I don't know, $80 or $90 to get some tires for his car, and he had no intention of paying that money back. So we went out to Technosonic Studios. They never did any live bands there; all they did was TV commercials and stuff. We waited on Art, and he never showed up. So Tina said, 'Why don't you put my voice on there, and when you find him, you can put him on instead?' So that's what we did. When Tina got to the part where she makes that scream, Ed, the guy who owned the studio, like to hit the ceiling: 'Goddammit, don't holler in my microphone!' In those days, they didn't have no limiters. I guess she rammed the needle. It was real funny. But that was the beginning.

There was a disc jockey there called Dave Dixon. After I recorded the song, I went out to Club Imperial, and we played it out there for some of the kids on a little recorder in the car. They said, 'Man, why don't you put it out with her voice on it?' So Dave Dixon heard it that same night. He sent it to Sue Records; they put it out, and boom, it was a hit." In fact, Sue Records boss, Juggy Murray, boarded a plane for St. Louis as soon as he heard the disc. As an aside, Lassiter’s vocal group, the Artettes (Robbie Montgomery, Sandra Harding, and Frances Hodges), turned up for the session, but when some of them were unwilling to tour in support of the single, Ike recruited the first Ikettes. Of course, the Ike & Tina story had a sad denouement, but during the 1960s there was no more exciting act in R&B.

Various - Blowing The Fuse 1960

Classics That Rocked The Jukebox

Read more at: https://www.bear-family.de/various-blowing-the-fuse-1960-classics-that-rocked-the-jukebox.html
Copyright © Bear Family Records

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