Ike & Tina Turner Sexy, Seductive, Provocative (CD)
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Ike & Tina Turner: Sexy, Seductive, Provocative (CD)
It's Gonna Work Out Fine" stammt aus dem Jahr 1961 und erreichte ebenfalls Platz 2 in den R&B-Charts und kletterte bis auf Platz 14 der Pop-Charts. Die übrigen zehn Stücke gehören zu den wenigen Aufnahmen des Paares, die das verheerende Feuer in Ikes Bolic Studio 1981 überlebten.
Die Tracks wurden in den frühen siebziger Jahren aufgenommen, als sie um einen Nachfolger für ihren Hit "Proud Mary" kämpften. Es gibt nur wenige Informationen zu den Sessions auf diesen Tracks.
Auf den Seiten sind Ike am Keyboard und an den Synthesizern, Tina am Gesang und Soko Richardson am Schlagzeug zu hören. Der Rest der Band, The Family Vibes, die in den 70er Jahren der Künstlername für The Kings of Rhythm war, ist nicht bekannt. Die Seiten wurden 1978 von Stan Lewis von Ike gekauft und sind bisher noch nie auf CD erschienen. Auf den Seiten findet sich die gewohnte treibende, mitreißende Energie, für die das Paar berühmt war.
Artikeleigenschaften von Ike & Tina Turner: Sexy, Seductive, Provocative (CD)
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Interpret: Ike & Tina Turner
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Albumtitel: Sexy, Seductive, Provocative (CD)
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Genre R&B, Soul
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Label PAULA RECORDS
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Artikelart CD
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EAN: 0097453900827
- Gewicht in Kg: 0.11
| Turner, Ike & Tina - Sexy, Seductive, Provocative (CD) CD 1 | ||||
|---|---|---|---|---|
| 01 | A Fool In Love | Ike & Tina Turner | ||
| 02 | It's Gonna Work Out Fine | Ike & Tina Turner | ||
| 03 | Shake A Hand | Ike & Tina Turner | ||
| 04 | Mississippi Rollin' Stone | Ike & Tina Turner | ||
| 05 | Living For The City | Ike & Tina Turner | ||
| 06 | I Know You Don't Love Me No More | Ike & Tina Turner | ||
| 07 | You Always Be My Baby | Ike & Tina Turner | ||
| 08 | Rockin' & Rollin' | Ike & Tina Turner | ||
| 09 | Never Been To Spain | Ike & Tina Turner | ||
| 10 | Sugar Sugar | Ike & Tina Turner | ||
| 11 | Trying To Find My Mind | Ike & Tina Turner | ||
| 12 | Jesus, Jesus | Ike & Tina Turner | ||
Ike & Tina Turner
A Fool In Love
Ike & Tina Turner
A Fool In Love
Ike Turner had worked in Clarksdale, Mississippi, he’d worked in Memphis, and he’d relocated to St. Louis. We first encountered him as the bandleader on Jackie Brenston’s epochal Rocket 88 (see our ‘1951’ volume), and ten years later he was still fronting one the hottest live R&B combos, but things were fairly lean on the record scene. He had a new lady in his life, though.
Annie Mae Bullock, whom he named Tina after a movie jungle goddess, was from Nutbush, Tennessee, and bore him a child. Initially, though, he didn’t see her as the band’s vocalist. “I wrote ‘A Fool In Love’ for Art Lassiter," Turner recalls. "Tina was there as I was writing it. And this guy [Lassiter], he was going to beat me out of some money. He borrowed, I don't know, $80 or $90 to get some tires for his car, and he had no intention of paying that money back. So we went out to Technosonic Studios. They never did any live bands there; all they did was TV commercials and stuff. We waited on Art, and he never showed up. So Tina said, 'Why don't you put my voice on there, and when you find him, you can put him on instead?' So that's what we did. When Tina got to the part where she makes that scream, Ed, the guy who owned the studio, like to hit the ceiling: 'Goddammit, don't holler in my microphone!' In those days, they didn't have no limiters. I guess she rammed the needle. It was real funny. But that was the beginning.
There was a disc jockey there called Dave Dixon. After I recorded the song, I went out to Club Imperial, and we played it out there for some of the kids on a little recorder in the car. They said, 'Man, why don't you put it out with her voice on it?' So Dave Dixon heard it that same night. He sent it to Sue Records; they put it out, and boom, it was a hit." In fact, Sue Records boss, Juggy Murray, boarded a plane for St. Louis as soon as he heard the disc. As an aside, Lassiter’s vocal group, the Artettes (Robbie Montgomery, Sandra Harding, and Frances Hodges), turned up for the session, but when some of them were unwilling to tour in support of the single, Ike recruited the first Ikettes. Of course, the Ike & Tina story had a sad denouement, but during the 1960s there was no more exciting act in R&B.
Various - Blowing The Fuse 1960
Classics That Rocked The Jukebox
Read more at: https://www.bear-family.de/various-blowing-the-fuse-1960-classics-that-rocked-the-jukebox.html
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