The Twilights Twilights Time - The Complete 60s Recordings (3-CD)
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- Artikel-Nr.: CDCR3JAM028
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The Twilights: Twilights Time - The Complete 60s Recordings (3-CD)
- Enthält die beiden Alben der Band, darunter die Mono- und die Stereo-Version ihres Pop-Psych-Klassikers "Once Upon A Twilight" von 1968, sowie Non-LP-Singles, Werbespots und altes Live-Material, alles angemessen remastered.
- Ausführliche Cover-Notizen behandeln die Geschichte der Twilights in noch nie dagewesener Ausführlichkeit, zusammen mit einer Fülle von selten gesehenen Bildern.
Die vielseitigen Twilights waren in den 1960er Jahren in ihrem Heimatland Australien äußerst populär, hatten eine Reihe von Hits und eine riesige Fangemeinde, und die Gruppe gilt in Downunder noch immer als eine der besten australischen Bands aller Zeiten. Aber auch in Übersee werden sie von vielen Kennern als erstklassige Pop-Psych-Band angesehen, vergleichbar mit den Hollies, Move, Idle Race oder July. Wenn man dann noch die vorbildliche Gesangsarbeit, die instrumentale Kraft und das inspirierte Songwriting hinzufügt, werden The Twilights zu einer Weltklasse-Band.
Das ursprüngliche Twilights-Sextett, das vor allem als Ausgangspunkt für den Little-River-Band-Sänger Glenn Shorrock und den gefeierten Cliff/Tina-Turner-Songwriter Terry Britten bekannt ist, ist für jeden, der sich für Mod, Beat und Pop-Psych der 1960er Jahre interessiert, eine Überlegung wert. In Downunder ist die Gruppe für ihre unheimliche Fähigkeit bekannt, Beatles- und anderes komplexes Material zu reproduzieren. Das aufgenommene Vermächtnis der Gruppe zeigt ein geschicktes Ensemble, das gleichermaßen zu harten Mod-Rock-Workouts, prägnanten, harmoniebetonten Pop-Nuggets und einigen wirklich verrückten, orchestrierten Pop-Psych-Songs fähig ist.
Das 3-CD-Set enthält den kompletten Vintage-Katalog der Twilights, zahlreiche Non-LP-Singles, selten gehörte kommerzielle Spots und Nebenprojekte wie Pastoral Symphony und Brittens Solo-Single '2.000 Weeks' sowie Live-Material, von dem ein Großteil unveröffentlicht ist.
Das Set wurde von Alec Palao zusammengestellt und gemastert und wird von einem umfangreichen, 10.000 Wörter umfassenden Booklet begleitet, das neue Interviews mit Terry Britten und Twilights-Manager Garry Spry enthält, während das Booklet mit Fotos und Erinnerungsstücken gefüllt ist. Twilights Time! ist somit nicht nur das letzte Wort über eine australische Pop-Institution, sondern auch eine umfassende Hommage an eine großartige und weit unterschätzte Band aus den 1960er Jahren.
Video von The Twilights - Twilights Time - The Complete 60s Recordings (3-CD)
Artikeleigenschaften von The Twilights: Twilights Time - The Complete 60s Recordings (3-CD)
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Interpret: The Twilights
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Albumtitel: Twilights Time - The Complete 60s Recordings (3-CD)
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Genre Beat
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Artikelart CD
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Label Strawberry Records
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EAN: 5013929432833
- Gewicht in Kg: 0.18
| Twilights, The - Twilights Time - The Complete 60s Recordings (3-CD) CD 1 | ||||
|---|---|---|---|---|
| 01 | Sorry She’s Mine | The Twilights | ||
| 02 | La La La Lies | The Twilights | ||
| 03 | It’s Dark | The Twilights | ||
| 04 | Diddy Wa Diddy | The Twilights | ||
| 05 | Long Life | The Twilights | ||
| 06 | Needle In A Haystack | The Twilights | ||
| 07 | You Got Soul | The Twilights | ||
| 08 | Yes I Will | The Twilights | ||
| 09 | I’m Not Talkin’ | The Twilights | ||
| 10 | Let Me Go | The Twilights | ||
| 11 | Lucky Man | The Twilights | ||
| 12 | Satisfaction | The Twilights | ||
| 13 | I’ll Be Where You Are | The Twilights | ||
| 14 | I Don’t Know Where The Wind Will Blow Me | The Twilights | ||
| 15 | Come On Home | The Twilights | ||
| 16 | Wanted To Sell | The Twilights | ||
| 17 | If She Finds Out | The Twilights | ||
| 18 | John Hardy | The Twilights | ||
| 19 | Baby, Let Me Take You Home | The Twilights | ||
| 20 | You’ve Really Got A Hold On Me | The Twilights | ||
| 21 | Bad Boy | The Twilights | ||
| 22 | I Won’t Be The Same Without Her | The Twilights | ||
| 23 | Baby, Let Me Take You Home (EP version) | The Twilights | ||
| 24 | All I’ve Got To Do (live) | The Twilights | ||
| 25 | I Don’t Know Where The Wind Will Blow Me (live) | The Twilights | ||
| 26 | If She Finds Out (live) | The Twilights | ||
| 27 | She’s Not There (live) | The Twilights | ||
| 28 | Shout (live) | The Twilights | ||
| Twilights, The - Twilights Time - The Complete 60s Recordings (3-CD) CD 2 | ||||
|---|---|---|---|---|
| 01 | Once Upon A Twilight | The Twilights | ||
| 02 | What A Silly Thing To Do | The Twilights | ||
| 03 | Bessemae | The Twilights | ||
| 04 | Stop The World For A Day | The Twilights | ||
| 05 | Mr Nice | The Twilights | ||
| 06 | Take Action | The Twilights | ||
| 07 | Blue Roundabout | The Twilights | ||
| 08 | Devendra | The Twilights | ||
| 09 | Found To Be Thrown Away | The Twilights | ||
| 10 | Tomorrow Is Today | The Twilights | ||
| 11 | The Cocky Song | The Twilights | ||
| 12 | Paternosta Row | The Twilights | ||
| 13 | What’s Wrong With The Way I Live | The Twilights | ||
| 14 | 950 | The Twilights | ||
| 15 | Young Girl | The Twilights | ||
| 16 | Time And Motion Study Man | The Twilights | ||
| 17 | The Way They Play | The Twilights | ||
| 18 | Cathy, Come Home | The Twilights | ||
| 19 | Bowling Brings Out The Swinger In You | The Twilights | ||
| 20 | Bowling Brings Out The Swinger In You (instrumental) | The Twilights | ||
| 21 | Drive My Car (live) | The Twilights | ||
| 22 | I’m A Man (live) | The Twilights | ||
| 23 | Girl (live) | The Twilights | ||
| 24 | John Hardy (live) | The Twilights | ||
| 25 | My Generation (live) | The Twilights | ||
| 26 | Smokestack Lightning (live) | The Twilights | ||
| 27 | Bad Boy (live) | The Twilights | ||
| Twilights, The - Twilights Time - The Complete 60s Recordings (3-CD) CD 3 | ||||
|---|---|---|---|---|
| 01 | Once Upon A Twilight | The Twilights | ||
| 02 | What A Silly Thing To Do | The Twilights | ||
| 03 | Bessemae | The Twilights | ||
| 04 | Stop The World For A Day | The Twilights | ||
| 05 | Mr Nice | The Twilights | ||
| 06 | Take Action | The Twilights | ||
| 07 | Blue Roundabout | The Twilights | ||
| 08 | Devendra | The Twilights | ||
| 09 | Found To Be Thrown Away | The Twilights | ||
| 13 | Always | The Twilights | ||
| 14 | Tell Me Goodbye | The Twilights | ||
| 15 | Comin’ On Down | The Twilights | ||
| 16 | Sand In The Sandwiches | The Twilights | ||
| 17 | Lotus | The Twilights | ||
| 18 | Things Go Better With Coke | The Twilights | ||
| 19 | 2,000 Weeks (Terry Britten) | The Twilights | ||
| 20 | Bargain Day (Terry Britten) | The Twilights | ||
| 21 | Love Machine (as Pastoral Symphony) | The Twilights | ||
| 22 | Spread A Little Love Around (as Pastoral Symphony) | The Twilights | ||
| 23 | Needle In A Haystack (live) | The Twilights | ||
| 24 | Barefootin’ (live) | The Twilights | ||
| 25 | Young Girl (live) | The Twilights | ||
| 26 | Night Of Fear (live) | The Twilights | ||
| 27 | Show Me (live) | The Twilights | ||
| 28 | “Say Goodbye” Medley | The Twilights | ||
| 29 | Good Day Sunshine (with Athol Guy and Laurel Lea) | The Twilights | ||
| 30 | Once Upon A Twilight (soundtrack version) | The Twilights | ||
The Fabulous Twilights
Nathaniel Mayer and The Fabulous Twilights
Village Of Love
A rough, gutsy edge defined early '60s Detroit R&B. The Motor City's brand of doo-wop was a little rowdier (think The Midnighters). As soul saturated the vocal group sound, Detroit kept things real. No label anywhere churned out rawer product than Jack and Devora Brown's Fortune Records. Their studio was the back room of their little record shop, and the low-fi sound reflected it. The Browns wrung aural gold out of that humble setup during the mid-'50s with The Diablos and Andre Williams. That magic happened again with Nathaniel Mayer.
Born February 10, 1944 in Detroit, the teen's tornadic pipes first surfaced in 1961 with the bone-chilling doo-wop ballad My Last Dance With You (authorship credited to Devora Brown). The Fabulous Twilights were co-billed from the outset; who they were is unclear, but they're prominent on Mayer's Fortune encore Village Of Love, especially the bass singer, who kicks off the intro. Mayer sounds as though he's shredding his larynx, the guitar solo is barely miked, and the whole thing is bathed in otherworldly echo. No wonder it took off, backed by another soul/doo-wop hybrid, I Want A Woman (the guitar solo on that side stopped just shy of anarchy). United Artists acquired national rights from Fortune, and Village Of Love charged up the charts to #16 R&B and #22 pop in the spring of 1962.
Fortune kept a steady flow of Mayer releases in the pipeline, though UA proved unable to push the stomping Leave Me Alone onto the national hit parade. Fortune was left to market Nathaniel's Yuletide present Mr. Santa Claus itself at year's end; ditto his '63 offerings Work It Out (a dance sizzler set to the melody of Village Of Love), an exotic I Had A Dream, and the inevitable Going Back To The Village Of Love. Fortune issued a Mayer LP named after his hit. By the time of his '66 swan song, a marvelously titled I Want Love And Affection (Not The House Of Correction), Nathaniel was strutting in James Brown's funky footsteps.
Then Mayer largely disappeared into the bowels of the Detroit ghetto for close to four decades. When he triumphantly resurfaced in 2002, his youthful high-pitched delivery had coarsened into a guttural croak still loaded with soul. Mayer made fresh albums for Fat Possum and Alive before dying November 1, 2008 in Detroit.
Various - Street Corner Symphonies Vol.14, 1962 The Complete Story Of Doo Wop
Read more at: https://www.bear-family.de/various-street-corner-symphonies-vol.14-1962-the-complete-story-of-doo-wop.html
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