The Velvet Underground The Velvet Underground - The Quine Tapes 6-LP

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Artikel-Nr.: SLP4002
Gewicht in Kg.: 1.72

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The most comprehensive and compelling embodiment of the Velvet Underground's live brilliance is... mehr

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The Velvet Underground: The Velvet Underground - The Quine Tapes 6-LP

The most comprehensive and compelling embodiment of the Velvet Underground's live brilliance is this bountiful cache of 1969 tapes recorded by Velvets fan and future alt-rock guitar icon Robert Quine. These historic VU performances are now available on vinyl for the first time ever in this lavish Sundazed boxset. This new set contains six LPs packaged in three gatefold jackets with rare photos, poster/handbill inserts, and detailed liner notes by 'Rolling Stone' senior editor David Fricke. In keeping with Sundazed's usual exacting standards, this set has been newly mastered by Bob Irwin from the original source material and is perfectly pressed on high-definition virgin vinyl.

The Velvet Underground ' The Quine Tapes : a definitive document of the live Velvet Underground.

6-LPs packaged in three striking gatefold jackets with poster/handbill inserts, rare photos and a deluxe box

The Velvet Underground's revolutionary mix of boundary-breaking sonic extremism and transgressive lyrical content changed the face of rock 'n' roll forever. It was on stage that the band's unprecedented vision truly came to life. But the band never made any official live recordings, leaving fans with the small handful of live Velvets tapes that have emerged over the years. Undeniably, the most comprehensive and compelling embodiment of the Velvet Underground's live brilliance is the bountiful cache of 1969 tapes recorded by Velvets fan and future alt-rock guitar icon Robert Quine (who would go on to play with the Velvet Underground's leader Lou Reed more than a decade later).

The Velvet Underground ' The Quine Tapes is a definitive document of the live Velvet Underground. Captured on tape by Quine in San Francisco and St. Louis between May and December of 1969, the recordings feature the Velvet Underground's final lineup of Reed, guitarist Sterling Morrison, drummer Moe Tucker and bassist Doug Yule. The material includes incendiary performances of such seminal Velvets standards as 'I'm Waiting for the Man,' 'What Goes On,' 'Sunday Morning,' 'Femme Fatale,' 'White Light/White Heat,' 'Venus in Furs,' 'Heroin,' 'New Age,' 'The Black Angel's Death Song' and 'Rock and Roll.' Also included is a rare performance of the 'Follow the Leader,' an original song which the band never officially released, as well as stunningly different versions of the epic 'Sister Ray.'

These historic Velvet Underground performances are now available on vinyl for the first time ever. To commemorate the occasion, Sundazed Music has designed a lavish six-LP box set, with the discs packaged in three separate gatefold jackets and contained in a deluxe box. The package features incredible new cover art commissioned especially for this vinyl release, plus rare photos, Verve label repro's, poster/handbill inserts, and detailed liner notes by Rolling Stone's David Fricke. In keeping with Sundazed's usual exacting standards, this set has been newly mastered by Bob Irwin from the original source material and is perfectly pressed on high-definition virgin vinyl.

'Sundazed take vinyl mastering and pressing very seriously, and the package here is rugged and heavy and sounds fantastic.'

'Mark Richardson, Pitchfork.com

Artikeleigenschaften von The Velvet Underground: The Velvet Underground - The Quine Tapes 6-LP

Interpret: The Velvet Underground
Albumtitel: The Velvet Underground - The Quine Tapes 6-LP
Genre Rock'n'Roll
Label SUNDAZED
Geschwindigkeit 33 U/min
Plattengröße LP (12 Inch)
Record Grading Mint (M)
Sleeve Grading Mint (M)
Preiscode VL22
Artikelart LP
EAN: 0090771400215
Gewicht in Kg: 1.72

Velvet Underground - The Velvet Underground - The Quine Tapes 6-LP LP 1
01	I'm Waiting For The Man	The Velvet Underground
02	It's Just Too Much	The Velvet Underground
03	What Goes On	The Velvet Underground
04	I Can't Stand It	The Velvet Underground
05	Some Kinda Love	The Velvet Underground
06	Foggy Notion	The Velvet Underground
07	After Hours	The Velvet Underground
08	I'm Sticking With You	The Velvet Underground

Velvet Underground - The Velvet Underground - The Quine Tapes 6-LP LP 2
01	Sister Ray	The Velvet Underground
02	Sunday Morning	The Velvet Underground
03	Follow The Leader	The Velvet Underground

Velvet Underground - The Velvet Underground - The Quine Tapes 6-LP LP 3
01	Femme Fatale	The Velvet Underground
02	White Light/White Heat	The Velvet Underground
03	Venus In Furs	The Velvet Underground
04	Heroin	The Velvet Underground
05	New Age	The Velvet Underground

Velvet Underground - The Velvet Underground - The Quine Tapes 6-LP LP 4
01	Sister Ray Part 1	The Velvet Underground
02	Sister Ray Part 2	The Velvet Underground

Velvet Underground - The Velvet Underground - The Quine Tapes 6-LP LP 5
01	The Black Angel's Death Song	The Velvet Underground
02	Over You	The Velvet Underground
03	I'm Waiting For The Man	The Velvet Underground
04	Rock And Roll	The Velvet Underground
05	Ride Into The Sun	The Velvet Underground

Velvet Underground - The Velvet Underground - The Quine Tapes 6-LP LP 6
01	Sister Ray/Foggy Notion Part 1	The Velvet Underground
02	Sister Ray/Foggy Notion Part 2	The Velvet Underground

The Velvet Underground The Velvet Underground were arguably more popular in Boston than... mehr

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"The Velvet Underground"

The Velvet Underground

The Velvet Underground were arguably more popular in Boston than anywhere else, and their home from home in the city was the famed Boston Tea Party, located at 53 Berkeley Street. "My personal favorite was The Velvet Underground," commented the club's manager Steve Nelson in 2011. "The Tea Party was essentially their home club from '67 to '70, a period when they did not play in New York. People came up from the City to see the Velvets, and onstage at the Tea Party Lou Reed called it their favorite place to play." Having played a well-received three-night stand there on Thursday 12th, Friday 13th and Saturday 14th December 1968 (their final shows of the year), it seemed obvious that they should return in the New Year. As such, they performed at the club on January 9th-11th, and again on January 22nd. Coinciding with their third visit of the year, between March 13th and 15th, came the release of their self-titled third album. With Cale having departed the preceding September, the band had gelled impressively with his replacement, Doug Yule, and entered a more contemplative phase, incorporating ballads heard on this CD such as Candy Says, I'm Set Free and Jesus.

Nonetheless, as Jonathan Richman has written of their act at this time: 'Doug had only been in the band a few months. You can hear the difference in the way he plays bass and organ compared to the style of John Cale. But Doug hadn't put his stamp on the band yet, so with Sterling and Lou playing guitars together with their own brand of double-rhythm and those tones they got, this band still sounds sorta like the one that recorded the album White Light/White Heat." Opening for the Velvets was Long Island hard rock trio Wilkinson Tri-Cycle (misnamed on the handbill as 'Wilkinson's Tricycle'). The VU's performance on the first night was taped by an audience member, and demonstrates their ever-evolving approach to their setlist.

They play what might have been the premiere of the oddball Ferryboat Bill (which is introduced as a new composition), and then follow it with a furious rendition of their staple I'm Waiting For The Man. Thereafter there's an intense White Light / White Heat and a fine Sister Ray, prefaced by some comments from Reed as to what the song is about (Richman: "I had no idea what the hell they were singing about most of the time, so any light shed on the subject was always a big help"). Reed proceeds to incorporate some of the lyrics to The Murder Mystery into this epic 22-minute rendition.

All in all, it's a superb document, and certainly preferable to the fascinating but frustrating recording of the March 15th show (which predominantly captured only Reed's guitar). As Steve Nelson later put it: "To me, if you try to figure out when they were really at their height, I think it's really '68, '69, after John had left... I don't think they really found themselves as a band, where they were really on top of what they were doing and really had that confidence in what they were doing. That really happened while Doug was with them."

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