Gene Clark The Lost Studio Sessions 1964 - 1982 (CD)
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- Artikel-Nr.:CDLIB5110
- Gewicht in Kg.: 0.12
Gene Clark: The Lost Studio Sessions 1964 - 1982 (CD)
Gene Clark, der in die Rock & Roll Hall of Fame aufgenommen wurde, war nicht nur ein Gründungsmitglied der Byrds, sondern auch einer der produktivsten Singer/Songwriter der Rock-Ära. Diese Sammlung enthält Studioaufnahmen aus Clarks Zeit vor den Byrds Anfang 1964 sowie Studioaufnahmen von 1967-70 mit Hugh Masekela an den Bläsern und Arrangements von Leon Russell. Außerdem gibt es einen Track mit den Flying Burrito Brothers. Schließlich enthält dieses Set fünf Songs, die 1982 im Rahmen der Nyteflyte-Reunion mit Clarks ehemaligen Bandkollegen Chris Hillman und Michael Clarke aufgenommen wurden. Diese Stücke sind nur auf der CD enthalten.
Seit seinem Tod im Jahr 1991 wurden viele Demos von Clark zu Hause und verschiedene Live-Tracks veröffentlicht, aber echte Studio-Sessions waren selten, bis dieses Album, The Lost Studio Sessions: 1964-1982, 2016 erstmals von Sierra Records veröffentlicht wurde. Diese "verlorenen" Aufnahmen werden in der bestmöglichen Klangqualität präsentiert, gemastert von den originalen analogen Mono-, Stereo- und Multitrack-Bändern. The Lost Studio Sessions ist im Wesentlichen eine alternative Geschichte der produktivsten Jahre des Künstlers als Songwriter. Das CD-Set enthält ein 36-seitiges Booklet mit seltenen Fotos, Produktions- und Aufnahmeinformationen sowie ausführlichen Linernotes von Compilation-Produzent John Delgatto und den Clark-Experten Johnny Rogan, John Einarson und Domenic Priore.
Artikeleigenschaften vonGene Clark: The Lost Studio Sessions 1964 - 1982 (CD)
Interpret: Gene Clark
Albumtitel: The Lost Studio Sessions 1964 - 1982 (CD)
Genre Rock
Artikelart CD
Label Liberation Hall
EAN: 0089353511098
- Gewicht in Kg: 0.12
Clark, Gene - The Lost Studio Sessions 1964 - 1982 (CD) CD 1 | ||||
---|---|---|---|---|
01 | The Way I Am | Gene Clark | ||
02 | I'd Feel Better | Gene Clark | ||
03 | That Girl | Gene Clark | ||
04 | A Worried Heart | Gene Clark | ||
05 | If There's No Love | Gene Clark | ||
06 | Back Street Mirror | Gene Clark | ||
07 | Don't Let It Fall Through | Gene Clark | ||
08 | Back To The Earth Again | Gene Clark | ||
09 | The Lighthouse | Gene Clark | ||
10 | The Awakening Within | Gene Clark | ||
11 | Sweet Adrienne | Gene Clark | ||
12 | Walking Through This Lifetime | Gene Clark | ||
13 | The Sparrow | Gene Clark | ||
14 | Only Yesterday's Gone | Gene Clark | ||
15 | She Darked The Sun | Gene Clark | ||
16 | Roll In My Sweet Baby's Arms | Gene Clark | ||
17 | She Don't Care About Time | Gene Clark | ||
18 | Don't That Road Look Rough And Rocky | Gene Clark | ||
19 | Bars Have Made A Prisoner Out Of Me | Gene Clark | ||
20 | One Hundred Years From Now | Gene Clark | ||
21 | The Letter | Gene Clark | ||
22 | Still Feeling Blue | Gene Clark | ||
23 | No Memories Hangin' Round | Gene Clark | ||
24 | I'll Feel A Whole Lot Better | Gene Clark |
Gene Clark
Don't This Road Look Rough And Rocky (aka Rough And Rocky)
Although Gene Clark's first solo A&M album, colloquially known as 'White Light,' followed two Dillard & Clark LPs into the cut-out bins, A&M kept the faith, bankrolling some sessions in April, May, and June 1972. Clark brought in some new songs and a few non-originals. He was working with Chris Hinshaw, who'd engineered some Taj Mahal, Sly Stone, and Byrds albums. In June, A&M pulled the plug. The final straw came when Sly Stone arrived, racking up thousands of dollars on A&M's dime when Clark was out of town. "Those sessions were fun and I had great people playing on them,"Clark told Dominic Priore, "but it was hard to get it together the way I wanted it."Clark saw musical tastes shifting toward heavy metal and decided to go low-key and meditative. A&M sat on the tapes, seeing no future for them until Clark's sometime manager, Jim Dickson, went to Holland and saw Byrds and Burrito bootlegs. Deciding that the A&M tapes were better than the bootlegs, he prevailed upon A&M to lease the tapes to their European licensee, Ariola. Roger McGuinn sang harmony on some songs, quite possibly because he was talking to Gene about the reunion of the original Byrds. There's an unissued mix on which he's clearly audible on Rough And Rocky.None of the Byrds was doing especially well on his own, but Clark probably had the most to gain from a reunion, and he provided that unremarkable album with most of its high spots.
Flatt & Scruggs' Don't This Road Look Rough And Rockywas a song that Gene probably heard the duo perform on their Martha White television show, but, until comparatively recently, it was only available on a single. They recorded it in 1954 and copyrighted it then, but it was a much older song of unknown provenance. The Blue Sky Boys had recorded it in 1936 as Can't You Hear That Night Bird Callingand it went under a bunch of other titles dating back to the dawn of recorded country music history. Its origin probably lay in a nineteenth century pop or minstrel song.
Various Truckers, Kickers, Cowboy Angels - The Blissed-Out Birth Of Country Rock, Vol. 6: 1973 (2-CD)
Read more at: https://www.bear-family.com/various-truckers-kickers-cowboy-angels-the-blissed-out-birth-of-country-rock-vol.-6-1973-2-cd.html
Copyright © Bear Family Records
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